Most likely scenario

Idk if you’re based in LA, but spirits are really f***ing down here. Even people who weren’t directly affected are in a state of shock. With LA basically being a second home to Abel, I can see him pushing the album and show back depending on how much longer the Palisades and Eaton fires continue and how much destruction is caused by any other fires that may pop up. We still have more winds on the way out here

Me and Abel are alike in so many ways and this interview really solidified it for me

His interview reflects so much of my current life right now

Abel I love you so much I hope you’re taking care of yourself abd showing yourself so much grace and kindness; thank you for saving my life and for your art to give me a purpose to live for

HURRY UP TOMORROW!!!!

oh lord

he showing some love to dawn on ig

14 days

Fantastic interview

That’s why you’re goated

Highly unlikey the rosebowl show is still happening. His next post is probably going to be announcement about its postponement

I think promo starts next week

This article says it’s postponed but doesn’t seem like a very official source

the-sun.com/sport/13259711/rose-bowl-stadium-los-angeles-wildfires

Would make a dope album cover

So did Sports Illustrated’s UCLA writers about two day ago

Any news of postponement will directly come from abel

variety.com/2025/music/news/the-weeknd-hurry-up-tomorrow-interview-ending-career-1236268897

Variety article officially out with more info

GIORGIO MORODER IS CONFIRMED ON THE ALBUM

It also features several major special guests, most of whom the Weeknd declined to make public just yet. However, one is pioneering producer-composer Giorgio Moroder, who is best known for his work with Donna Summer on iconic disco-era hits like “I Feel Love” and “Love to Love You Baby,” but was actually more influential to the Weeknd for his film scores, particularly “Midnight Express” and “Scarface.”

“Giorgio is a huge inspiration for this album,” the Weeknd says of Moroder, who contributed keyboards, arrangements and vocals to “Hurry Up Tomorrow.” “His DNA has always been in all of my music, but I’m really honing in on it here, especially the operatic synths in ‘Scarface.’ This album feels almost like an opera to me,” he concludes, “this gothic, operatic finale to the trilogy.”

Moroder tells Variety, “I’m thrilled to continue bridging the gap with Abel between the past and the future, creating something timeless yet innovative.”

Musically, the “Hurry Up Tomorrow” album includes plenty of the sleek, chrome-plated hooks that have characterized many of the Weeknd’s biggest hits. But to a degree he hasn’t really done before, it also includes explorations of other genres: classic R&B, straight pop, acoustic guitars, fast beats and an epic, sweeping song, probably the finale, that recalls Prince’s “Purple Rain.”