Musically, the âHurry Up Tomorrowâ album includes plenty of the sleek, chrome-plated hooks that have characterized many of the Weekndâs biggest hits. But to a degree he hasnât really done before, it also includes explorations of other genres: classic R&B, straight pop, acoustic guitars, fast beats and an epic, sweeping song, probably the finale, that recalls Princeâs âPurple Rain.â
Yeah this is definetly 18 tracks.
more info about the film:
Bringing that vision into a cohesive album is challenge enough, but making it into a coherent film is no small endeavor. The Weekend and co-writer Fahim set their sights on Shults early, after being especially impressed with his work on âWaves.â
The Weeknd recalls, âI gave him the script, and said, âI need you to see yourself in this film, thatâs really the only way itâs gonna work.â He did, and he brought in a whole new element thatâs very personal to him as well.â
Shults tells Variety, âFrom our first meeting, thatâs what emboldened me: He really wanted me to make this my film and bring myself to it. And I was blown away by how well he responds to direction as an actor: There would be days where I was ready to walk away from a scene, thinking we got it, and he would ask for another take and push the scene to a new level. I donât think people realize yet what a good actor he is.â
The Weeknd gushes when talking about his co-stars, Ortega and Keoghan. âJenna brought so much depth to the character,â he says. âThere was a scene where Trey and I looked at each other like, âOn paper, this is just ridiculous â how is it going to translate on screen?â And she said, âI have an idea.â She led that whole scene â none of it was rehearsed, and a lot of my reactions in it are not acting.â
Ortega says, âAbel is such a sweetheart, and really looked out for everyone on our set. It was so great getting to know him and help bring his vision to life.â
Keoghan âwas a friend of mine prior to all this,â the Weeknd continues, âand he was always number one on my list for his role. What makes him different from Jenna is that his talent is so raw, it just comes so naturally to him.â
Keoghan tells Variety, âItâs so nice to collaborate with such a close friend, but also an artist who has expressed so much of himself through one medium and is now channeling it through another.â
GIORGIO MORODER IS CONFIRMED ON THE ALBUM
It also features several major special guests, most of whom the Weeknd declined to make public just yet. However, one is pioneering producer-composer Giorgio Moroder, who is best known for his work with Donna Summer on iconic disco-era hits like âI Feel Loveâ and âLove to Love You Baby,â but was actually more influential to the Weeknd for his film scores, particularly âMidnight Expressâ and âScarface.â
âGiorgio is a huge inspiration for this album,â the Weeknd says of Moroder, who contributed keyboards, arrangements and vocals to âHurry Up Tomorrow.â âHis DNA has always been in all of my music, but Iâm really honing in on it here, especially the operatic synths in âScarface.â This album feels almost like an opera to me,â he concludes, âthis gothic, operatic finale to the trilogy.â
Moroder tells Variety, âIâm thrilled to continue bridging the gap with Abel between the past and the future, creating something timeless yet innovative.â
lowkey confirmed Love it when you're Angry since Midnight Express is mentioned?
Scarface is WMU, so Midnight Express must also correlate with the song
Mentioning the trilogy but not including dawn fm is insane
That album should be shown more love
lowkey confirmed Love it when you're Angry since Midnight Express is mentioned?
Scarface is WMU, so Midnight Express must also correlate with the song
Look what just an article did now imagine a whole trailer from him...
The hype is real
Musically, the âHurry Up Tomorrowâ album includes plenty of the sleek, chrome-plated hooks that have characterized many of the Weekndâs biggest hits. But to a degree he hasnât really done before, it also includes explorations of other genres: classic R&B, straight pop, acoustic guitars, fast beats and an epic, sweeping song, probably the finale, that recalls Princeâs âPurple Rain.â
HYPE AS F***KKKKKKKKKKK
Mentioning the trilogy but not including dawn fm is insane
That album should be shown more love
They mention it as being âlower keyâ lol kinda throwing shade at it
Musically, the âHurry Up Tomorrowâ album includes plenty of the sleek, chrome-plated hooks that have characterized many of the Weekndâs biggest hits. But to a degree he hasnât really done before, it also includes explorations of other genres: classic R&B, straight pop, acoustic guitars, fast beats and an epic, sweeping song, probably the finale, that recalls Princeâs âPurple Rain.â
remember that paragraph from the GQ interview that described Dawn FM like this prior to the release
remember that paragraph from the GQ interview that described Dawn FM like this prior to the release
14 DAYS.

This album feels almost like an opera to me,â he concludes, âthis gothic, operatic finale to the trilogy.â
Metro Boomin
OPN
Max Martin
Mike Dean
Pharrell
Justice
Giorgio Moroder
wtf is this lineup man
remember that paragraph from the GQ interview that described Dawn FM like this prior to the release
The music hit the studio like a Mack truck. The new project is packed with party records. Like real-deal, illuminated-white-tiles-on-the-floor party records. Quincy Jones meets Giorgio Moroder meets the best-night-of-your-fucking-life party records. Not anachronistic disco stuff. (Not âcosplay,â as Abel put it.) That sort of retro thing is having a moment right now in pop music, but these records are new. Sweaty. Hard. Drenched-suit, grinding-on-the-girl/boy-of-your-dreams party records.
Musically, the âHurry Up Tomorrowâ album includes plenty of the sleek, chrome-plated hooks that have characterized many of the Weekndâs biggest hits. But to a degree he hasnât really done before, it also includes explorations of other genres: classic R&B, straight pop, acoustic guitars, fast beats and an epic, sweeping song, probably the finale, that recalls Princeâs âPurple Rain.â
Oh my days, another classic incoming
The music hit the studio like a Mack truck. The new project is packed with party records. Like real-deal, illuminated-white-tiles-on-the-floor party records. Quincy Jones meets Giorgio Moroder meets the best-night-of-your-fucking-life party records. Not anachronistic disco stuff. (Not âcosplay,â as Abel put it.) That sort of retro thing is having a moment right now in pop music, but these records are new. Sweaty. Hard. Drenched-suit, grinding-on-the-girl/boy-of-your-dreams party records.
This description was so perfect in hindsight