both of the Earthbound composers did this interview for some french s*** some time i stumbled upon so i translated it myself just now for you guys:
Keiichi Suzuki composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) The Beach Boys "Smiley Smile" (1967) I thought of mentioning Smile which is a canceled piece of work. But instead of going back to a legendary unfinished album that never saw the light, i will compliment this version commercialized, for what it’s worth, which has elements of Smile in this arrangement.
It’s an album really mysterious that captures all the light and obscurity darkness of America and is completely absent of drums. The percussions technics on this album had an enormous impact on the videogame.
Van Dyke Parks "Song Cycle" (1967) Van Dyke Parks was Brian Wilson’s collaborator on Smile, in vain.
This is his first album, came out after the Smile project, and also considered as a big flop. There is western humor, a misty sound, and a touch of Ray Bradbury.
This style was a key factor when i was writing the music of Earthbound.
Hirokazu Tanaka also composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) Brian Wilson "Brian Wilson" (1988) We talked a lot of The Beach Boys but this is the first solo album by Brian Wilson. I listened a lot to this on CD during my trips to visit Keiichi at his place at Setagay during production phase of Earthbound.
If I showed up too early, i would go for a ride with the cd on repeat. Personally I think of Earthbound when I listen to this album, in particularly the songs:
1) Love and Mercy
3) Melt Away
4) Baby Let Your Hair Grow Long
7) There’s So Many
His songwriting almost seems here normal on first listen, but... I can’t really explain it.
When you really understand and feel a poem, it really moves you deep inside. Hmm... I can’t express myself objectively on this.
There is a new deluxe edition of the album with demo versions of the songs on it, and it’s just... Mm!
@2words @frenchpress @transhumansm @sleep @WunderKiid @lucid @fonti @sfsorrow @Unwound @grimes
@Fantasy you might appreciate this
both of the Earthbound composers did this interview for some french s*** some time i stumbled upon so i translated it myself just now for you guys:
Keiichi Suzuki composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) The Beach Boys "Smiley Smile" (1967) I thought of mentioning Smile which is a canceled piece of work. But instead of going back to a legendary unfinished album that never saw the light, i will compliment this version commercialized, for what it’s worth, which has elements of Smile in this arrangement.
It’s an album really mysterious that captures all the light and obscurity darkness of America and is completely absent of drums. The percussions technics on this album had an enormous impact on the videogame.
Van Dyke Parks "Song Cycle" (1967) Van Dyke Parks was Brian Wilson’s collaborator on Smile, in vain.
This is his first album, came out after the Smile project, and also considered as a big flop. There is western humor, a misty sound, and a touch of Ray Bradbury.
This style was a key factor when i was writing the music of Earthbound.
Hirokazu Tanaka also composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) Brian Wilson "Brian Wilson" (1988) We talked a lot of The Beach Boys but this is the first solo album by Brian Wilson. I listened a lot to this on CD during my trips to visit Keiichi at his place at Setagay during production phase of Earthbound.
If I showed up too early, i would go for a ride with the cd on repeat. Personally I think of Earthbound when I listen to this album, in particularly the songs:
1) Love and Mercy
3) Melt Away
4) Baby Let Your Hair Grow Long
7) There’s So Many
His songwriting almost seems here normal on first listen, but... I can’t really explain it.
When you really understand and feel a poem, it really moves you deep inside. Hmm... I can’t express myself objectively on this.
There is a new deluxe edition of the album with demo versions of the songs on it, and it’s just... Mm!
@2words @frenchpress @transhumansm @sleep @WunderKiid @lucid @fonti @sfsorrow @Unwound @grimes
this is nuts, gotta run this game again just to beat up some mysterious statue mfs ong
this is nuts, gotta run this game again just to beat up some mysterious statue mfs ong
harrrrrddd
👑 king lets gooooooooo
both of the Earthbound composers did this interview for some french s*** some time i stumbled upon so i translated it myself just now for you guys:
Keiichi Suzuki composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) The Beach Boys "Smiley Smile" (1967) I thought of mentioning Smile which is a canceled piece of work. But instead of going back to a legendary unfinished album that never saw the light, i will compliment this version commercialized, for what it’s worth, which has elements of Smile in this arrangement.
It’s an album really mysterious that captures all the light and obscurity darkness of America and is completely absent of drums. The percussions technics on this album had an enormous impact on the videogame.
Van Dyke Parks "Song Cycle" (1967) Van Dyke Parks was Brian Wilson’s collaborator on Smile, in vain.
This is his first album, came out after the Smile project, and also considered as a big flop. There is western humor, a misty sound, and a touch of Ray Bradbury.
This style was a key factor when i was writing the music of Earthbound.
Hirokazu Tanaka also composer of Earthbound soundtrack when selecting albums that made Earthbound what it is:
(...) Brian Wilson "Brian Wilson" (1988) We talked a lot of The Beach Boys but this is the first solo album by Brian Wilson. I listened a lot to this on CD during my trips to visit Keiichi at his place at Setagay during production phase of Earthbound.
If I showed up too early, i would go for a ride with the cd on repeat. Personally I think of Earthbound when I listen to this album, in particularly the songs:
1) Love and Mercy
3) Melt Away
4) Baby Let Your Hair Grow Long
7) There’s So Many
His songwriting almost seems here normal on first listen, but... I can’t really explain it.
When you really understand and feel a poem, it really moves you deep inside. Hmm... I can’t express myself objectively on this.
There is a new deluxe edition of the album with demo versions of the songs on it, and it’s just... Mm!
@2words @frenchpress @transhumansm @sleep @WunderKiid @lucid @fonti @sfsorrow @Unwound @grimes
reminds me of this

didn’t even know
I don't know why it's surprising that they're fans of western music considering how popular some Japanese media is over here but yeah
all those American army bases in the 50s probably planted the seeds for them appreciating rock and roll more than most eastern cultures
I don't know why it's surprising that they're fans of western music considering how popular some Japanese media is over here but yeah
all those American army bases in the 50s probably planted the seeds for them appreciating rock and roll more than most eastern cultures
reminds me of the ridiculous references of bowie in metal gear series too
Tom Araya: I listen to all kinds of music. I mean, I myself have the Beach Boys, I like the Beach Boys. I watched the movie Love and Mercy movie about Brian Wilson with John Cusack. Really, really good movie. I grew up in the sixties.
Tom Araya: I listen to all kinds of music. I mean, I myself have the Beach Boys, I like the Beach Boys. I watched the movie Love and Mercy movie about Brian Wilson with John Cusack. Really, really good movie. I grew up in the sixties.
@Jerry_Seinfeld @rise_zero @RVI @Sarcoid
real recognize real
Something happened to me in the early 1970′s. I heard a record by Joni Mitchell. The record was called Blue and it changed my life completely. There were two records that I played that summer – actually there were three – there was Surf’s Up by The Beach Boys, there was What’s Going On by Marvin Gaye and there was Blue by Joni Mitchell, and I played those records all summer, I think in 1971 or 1972, and that kinda shaped the way I wanted the music to be. It needed to be personal, it needed to be orchestral, it needed huge vocals like The Beach Boys did and it needed to be intensely personal. - John Wetton.
!https://youtu.be/OzFQV5rhrb0@RVI @Jerry_Seinfeld @Cookies @NoGoodNamesLeft @giorno_giovanna @AudioConsulting @LUNAR @Goo @Womanpuncher69
@Brave thought of you since you told me about your love of joni
(this the guy from the band kanye sampled for power)
Tom Araya: I listen to all kinds of music. I mean, I myself have the Beach Boys, I like the Beach Boys. I watched the movie Love and Mercy movie about Brian Wilson with John Cusack. Really, really good movie. I grew up in the sixties.
@Jerry_Seinfeld @rise_zero @RVI @Sarcoid

king crimson will forever be known as the guys kanye sampled
haha well we’re on ktt
king crimson will forever be known as the guys kanye sampled

bro i just might cop this... this is SICK
i have a denim jacket i wanna use to put bunch of that, already got those:


bro i just might cop this... this is SICK
i have a denim jacket i wanna use to put bunch of that, already got those:


Those are dope 
Always wanted to get a canvas or denim jacket and cover it in patches too
he not a fan?
something about distilling a legendary band down to "the guys kanye sampled" just doesnt sit right with my spirit
but then again i dont hold kanye in as high regard anymore as many people here do