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metacritic.com/music/all-born-screaming/st-vincent

Damn.

The Powers Out… wow

Strong Strange Mercy vibes from that one.

This is probably the best sounding record she’s ever made.

Like damn, she just needs to produce her own s*** from now on.

They always mad at my girl for some s***

Anyone check it on Dolby?

S*** completely changed Daddy’s Home.

This is the St Vincent I like.

Oh yeah.
That’s hitting good.

I love it I love it l love it

My favorite of hers I think. Daddys Home wasnt my vibe but this one is really good.

First reviews are in:

1. The Guardian: 100/100
2. Louder than War: 100/100
3. The Telegraph: 100/100
4. Northern Transmissions: 98/100
5. The A.V. Club: 91/100
6. Variety: 91/100
7. AllMusic: 90/100
8. Clash Music: 90/100
9. Louder: 90/100
10. RIFF Magazine: 90/100
11. Slant Magazine: 90/100
12. Uncut: 90/100
13. Paste Magazine: 82/100
14. The Arts Desk: 80/100
15. The Financial Times (FT): 80/100
16. God Is in the TV: 80/100
17. Hot Press: 80/100
18. The i: 80/100
19. The Independent: 80/100
20. The Line of Best Fit: 80/100
21. Mojo: 80/100
22. musicOMH: 80/100
23. New Musical Express (NME): 80/100
24. The Observer: 80/100
25. Rolling Stone: 80/100
26. The Scotsman: 80/100
27. The Skinny: 80/100
28. The Times: 80/100
29. Pitchfork: 78/100
30. Exclaim!: 70/100
31. Far Out Magazine: 70/100
32. The Irish Times: 70/100
33. PopMatters: 70/100

The average critic score: 84/100 (B+)
(based on 33 reviews: 33 positive; 100%).

Big Time Nothing

Need a string of Annie produced albums in my life soon

compared to how overrated her last two albums were this deserves better reviews but for an artist that has been in the spotlight since 2007 this is very good.

It’s currently tied with S/T on Metacritic.

Honestly I think it’s a combination of her longevity and consistency. A lot of critics seem to pine for some kind of narrative outside of the music itself. The decline, the fall off, the comeback.

I mean, look at Pitchfork and how they seem to treat their former darlings new releases (though from what I understand the site is basically only Pitchfork in name compared to what it was in the 2000s and early 2010s).

after five full listens I’m still not ready to put this over Daddy’s Home but still another stellar album from Annie and one of my fav releases from this year so far. Production is fully realized on every song
favs: Broken Man, Big Time Nothing, Violent Times and Sweetest Fruit album doesn’t have any skips tho

album gonna slap so hard live

Curious to see if she reworks any tracks from Daddy’s Home on this tour.

2nd listen, raw thoughts

Hell Is Near. the groove on that bass line. that spacey outro. fantastic introduction

the production on Flea > the lyrics

those drums

Big Time Nothing gives me Madonna vibes i like it more on the second listen. play it LOUD

she just didn't put a hook at all on Violent Times. could've been one of the better tracks lol

you're a natural, baby, you don't have to quit

sweeeeeteeeeessttt frrrrruuuuuitttt

i wonder if St. Vincent and Perfume Genius have ever worked together... i think that would be dope