She only has 16 thousand followers on ig as well. Drake one of them of course

wtf those look like 2006 pirate dvds
got the grungy greens and reds on some departed type s***
reddit.com/r/imax/comments/1k11l1x/one_battle_after_another_1431_imax_trailer
IMAX trailer
From my understanding it was shot in 1.50:1 Vistavision and is being cropped for 1.43:1 IMAX. So you’re losing a little bit of footage on the sides but gaining a lot on the top and bottom
Inherent Vice and PDL posters are goated
Got that IV poster when I was visiting LA back in '15 and framed it
reddit.com/r/paulthomasanderson/comments/1kfo0vi/mike_de_luca_teased_new_obaa_trailer_in_smartless
Warner Bros studio head Mike De Luca on a recent podcast alludes to a new One Battle After Another trailer coming in the future
If this becomes the summer of fighting back against ICE (🤞) then OBAA is going to hit sm harder in September
If this becomes the summer of fighting back against ICE (🤞) then OBAA is going to hit sm harder in September
Info on the film from Teyana Taylor's GQ story:
"She has good reason to believe in “faith walks,” as she calls them. She needed that season of pruning. If she hadn’t cut ties with Def Jam, she wouldn’t have shifted her focus to acting and booked that role in A Thousand and One—a performance Dionne Warwick adores, and the film that persuaded Anderson to bring her in to read with Leonardo DiCaprio for One Battle After Another.
“I had been living with the person on the page for so long that there was a tremendous pressure to find the right actress,” Anderson said in an email. “I had a sense very quickly after meeting Teyana that she was the one.” (He adds that he’d been aware of Taylor long before this project. “I live on planet Earth, so I had seen her dance in the ‘Fade’ music video, like everyone else.”)
When she read with DiCaprio, Anderson says, it was clear that Taylor had “the required intensity and energy” he was looking for. “But more importantly, she struck me as a valuable collaborator and a good hang. She’s both.”
Taylor remembers feeling fully supported, even in that audition—as Anderson filmed her reading with Leo, she recalls, “he always looked like a proud uncle. Just to see somebody want it for me so much felt dope.”
One Battle After Another was inspired—more loosely than people may be anticipating, Taylor says—by Thomas Pynchon’s 1990 novel Vineland. It’s reportedly the most expensive film Anderson has ever made, and it’s safe to say it’s also unlike any other film that Taylor’s been in; she’s even featured on the movie poster, firing a machine gun while heavily pregnant. Her character, Perfidia Beverly Hills. is a revolutionary who reunites with her ex (DiCaprio) to rescue their child (Chase Infiniti) from their old nemesis Col. Steven J. Lockjaw, played by Sean Penn.
Taylor says she studied Vineland, but only after seeing people on “movie Twitter” mention it in relation to One Battle After Another; by then, she had already booked the role. (Anderson’s pretty sure he didn’t tell her anything about the project before asking her to meet.) On set, her penchant for improv came into play; she ad-libbed the line “Bitch, I felt like Tony Montana” on the spot, and PTA ended up using it in the trailer.
“That was a Byron moment,” she says, referring to her instantly iconic delivery of Bow Wow’s character name in Madea’s Big Happy Family, another improvised moment that made it to the screen. (Tyler Perry called “cut,” she recalls, “and he was like, ‘What the f*** did you just do?’ And everybody started dying laughing. So the next take, I didn’t do it. And he was like, "No, no, no, no, no—do the Byronnnnnn thing.”)
And DiCaprio’s character’s nickname, Ghetto Pat? That was Taylor’s idea too. “PTA was telling me—all the reviews for the early screenings and stuff, that everybody's favorite name was Ghetto Pat,” she says.
“She’s instinctual and she’s wild,” Anderson marvels. “I like both of these traits. She’s incredibly athletic and in control of her body, which is also very useful to an actress. She’s a filmmaker, not just an actress. She really understands a set and the camera and the experience and movement of a crew,” he says. “I suppose her face is one of the most beautiful and unique I’ve ever seen in my life. Photographing her face is pure joy. She is mysterious, sexy, mischievous, and quite sweet. Nice combo.”
Info on the film from Teyana Taylor's GQ story:
"She has good reason to believe in “faith walks,” as she calls them. She needed that season of pruning. If she hadn’t cut ties with Def Jam, she wouldn’t have shifted her focus to acting and booked that role in A Thousand and One—a performance Dionne Warwick adores, and the film that persuaded Anderson to bring her in to read with Leonardo DiCaprio for One Battle After Another.
“I had been living with the person on the page for so long that there was a tremendous pressure to find the right actress,” Anderson said in an email. “I had a sense very quickly after meeting Teyana that she was the one.” (He adds that he’d been aware of Taylor long before this project. “I live on planet Earth, so I had seen her dance in the ‘Fade’ music video, like everyone else.”)
When she read with DiCaprio, Anderson says, it was clear that Taylor had “the required intensity and energy” he was looking for. “But more importantly, she struck me as a valuable collaborator and a good hang. She’s both.”
Taylor remembers feeling fully supported, even in that audition—as Anderson filmed her reading with Leo, she recalls, “he always looked like a proud uncle. Just to see somebody want it for me so much felt dope.”
One Battle After Another was inspired—more loosely than people may be anticipating, Taylor says—by Thomas Pynchon’s 1990 novel Vineland. It’s reportedly the most expensive film Anderson has ever made, and it’s safe to say it’s also unlike any other film that Taylor’s been in; she’s even featured on the movie poster, firing a machine gun while heavily pregnant. Her character, Perfidia Beverly Hills. is a revolutionary who reunites with her ex (DiCaprio) to rescue their child (Chase Infiniti) from their old nemesis Col. Steven J. Lockjaw, played by Sean Penn.
Taylor says she studied Vineland, but only after seeing people on “movie Twitter” mention it in relation to One Battle After Another; by then, she had already booked the role. (Anderson’s pretty sure he didn’t tell her anything about the project before asking her to meet.) On set, her penchant for improv came into play; she ad-libbed the line “Bitch, I felt like Tony Montana” on the spot, and PTA ended up using it in the trailer.
“That was a Byron moment,” she says, referring to her instantly iconic delivery of Bow Wow’s character name in Madea’s Big Happy Family, another improvised moment that made it to the screen. (Tyler Perry called “cut,” she recalls, “and he was like, ‘What the f*** did you just do?’ And everybody started dying laughing. So the next take, I didn’t do it. And he was like, "No, no, no, no, no—do the Byronnnnnn thing.”)
And DiCaprio’s character’s nickname, Ghetto Pat? That was Taylor’s idea too. “PTA was telling me—all the reviews for the early screenings and stuff, that everybody's favorite name was Ghetto Pat,” she says.
“She’s instinctual and she’s wild,” Anderson marvels. “I like both of these traits. She’s incredibly athletic and in control of her body, which is also very useful to an actress. She’s a filmmaker, not just an actress. She really understands a set and the camera and the experience and movement of a crew,” he says. “I suppose her face is one of the most beautiful and unique I’ve ever seen in my life. Photographing her face is pure joy. She is mysterious, sexy, mischievous, and quite sweet. Nice combo.”
Hyped