havent heard that album but yeah wikipedia has terrible genre tagging at times
theyve got Songs in the Key of Life as "avant-pop" with one of the genres
"Songs in the Key of Life is my favourite avant-pop album"
ok I like this album, but how is it avant-garde

That “noise” s*** in between the songs is my guess. Still wrong
havent heard that album but yeah wikipedia has terrible genre tagging at times
theyve got Songs in the Key of Life as "avant-pop" with one of the genres
It’s funny how nerds go so far to not acknowledge the power of jazz
just checked and yup
" She’s cited statistics about the effects of the prison-industrial complex on Black Americans. During visitation in her father’s prison, she says, families were invited to pose against a backdrop of a plantation veranda. It seems clear that she wishes to empathize with the Black community and critique the prison system.
But dissonance appears on Daddy’s Home whenever Clark’s louche time-traveling character collides with the political tensions of the present day. It’s odd, for example, that two songs on the album refer to calling “the cops,” or 911, in light of the past year’s uprisings against police brutality. A reference to Nina Simone’s “Mississippi Goddam” in “The Melting of the Sun” is similarly ill-considered. Like Hozier before her, Clark dilutes Simone’s fierce and intentional anti-racist activism by listing her alongside white celebrities. The album’s title track deploys a sticky bassline, a syncopated funk groove, and the voices of seasoned Black back-up singers Kenya Hathaway and Lynne Fiddmont to tell the story of Clark and her father, a white man who committed a white-collar crime. Why deploy the conventions of Black music to reckon with his sins? Why wear a mask at all?"
Only reading The first and last sentence makes this sound like a q’anon tweet
just checked and yup
" She’s cited statistics about the effects of the prison-industrial complex on Black Americans. During visitation in her father’s prison, she says, families were invited to pose against a backdrop of a plantation veranda. It seems clear that she wishes to empathize with the Black community and critique the prison system.
But dissonance appears on Daddy’s Home whenever Clark’s louche time-traveling character collides with the political tensions of the present day. It’s odd, for example, that two songs on the album refer to calling “the cops,” or 911, in light of the past year’s uprisings against police brutality. A reference to Nina Simone’s “Mississippi Goddam” in “The Melting of the Sun” is similarly ill-considered. Like Hozier before her, Clark dilutes Simone’s fierce and intentional anti-racist activism by listing her alongside white celebrities. The album’s title track deploys a sticky bassline, a syncopated funk groove, and the voices of seasoned Black back-up singers Kenya Hathaway and Lynne Fiddmont to tell the story of Clark and her father, a white man who committed a white-collar crime. Why deploy the conventions of Black music to reckon with his sins? Why wear a mask at all?"
jfc
@RVI
You have any Charli CDs? I might buy this one

nah i dont have any but thats kinda cool
for a masterpiece album
nah i dont have any but thats kinda cool
for a masterpiece album
you play CDs when u drive?
you play CDs when u drive?
no lol just my phone hooked up to car
no lol just my phone hooked up to car
CD's sound great in the car. Does yours have a CD player?
CD's sound great in the car. Does yours have a CD player?
nope
CD's sound great in the car. Does yours have a CD player?
CDs really do hit different in the car. that’s a lot of what i listened to in high school, cruising through my old hometown in a cherry red Mitsubishi Eclipse
truly nostalgia ultra
I really like this Cassandra Jenkins album on first listen. Perhaps I should start listening to 2021 albums aside from my fav artists.
It's lovely
@Elric i didn’t know you’d listen to my rec that fast. Review?
Haven't made it through the whole thing yet but Moroder is the dude (listened to that classic solo of his a million times) so I'm enjoying some aspects but not all
Haven't made it through the whole thing yet but Moroder is the dude (listened to that classic solo of his a million times) so I'm enjoying some aspects but not all
You’re supposed to listen to it in one sitting
Only way to appreciate the juxtaposition of Moredor’s Kraftwerk influence and Summer’s R&B influence
You’re supposed to listen to it in one sitting
Only way to appreciate the juxtaposition of Moredor’s Kraftwerk influence and Summer’s R&B influence
I'm not about to listen intently to 70 minutes of disco, chief
From Here To Eternity is 30 minutes and immaculate
I'm not about to listen intently to 70 minutes of disco, chief
From Here To Eternity is 30 minutes and immaculate
do you listen to music or just skim through it?
do you listen to music or just skim through it?
When it's a genre I'm force feeding myself I skim