And you know the context of the song? how he wrote it near the beginning of his relationship, released after they divorced
doesnt change the sound for me
and also radiohead lyrics in general don't hit me very hard. like their emotional moments still hit hard for me sometimes but not for the lyrics mostly
what is with this ed o'brien erasure
rt me @nort
I like his part on weird fishes....
doesnt change the sound for me
and also radiohead lyrics in general don't hit me very hard. like their emotional moments still hit hard for me sometimes but not for the lyrics mostly
I think it would help if the lyrics had a more linear plot to them but Thom says he doesnt like to do that
I like his part on weird fishes....
“EEEEEEEEEED”
530 - kanye west on right now
what a sample, what a song.
how is this scrapped??
“Listen to Lil Baby; listen to Future, b****.”
you can't win if you change your sound they hate it and say the old sound was better (billie) or if you stick to your guns nerds online say it's derivative and she hasn't grown
That’s why you gotta tune those nerds out and do what you do.
I think the key is to either dive headfirst into a new sound and wait for people to grow into it or slowly evolve over several albums.
Staying stagnant sonically is the worst. You gotta do SOMETHING a little different from the last, even if it’s divisive.
“Listen to Lil Baby; listen to Future, b****.”
crazy how you could just mute the vocals and let that piano ride for 20-30 seconds and it's an all timer/auto classic
crazy how you could just mute the vocals and let that piano ride for 20-30 seconds and it's an all timer/auto classic
Trueee.
already are saying that about the cover art and photoshoots/aesthetics
Well those are quite similar looking
She doesn't need to quite switch it up yet since it's still early in her career but if she shows hints of "risk" taking here and there it's enough imo
Said it before and Ill say it again
I NEED Thom to finish this song for the next Radiohead album (assuming we’ll get one)

That’s why you gotta tune those nerds out and do what you do.
I think the key is to either dive headfirst into a new sound and wait for people to grow into it or slowly evolve over several albums.
Staying stagnant sonically is the worst. You gotta do SOMETHING a little different from the last, even if it’s divisive.
Also wanna add an important point: people don’t actually know what tf they want.
They don’t want the old music from you, they want you to recreate their old memories attached to your old music, which is IMPOSSIBLE to do. You gotta tune all that bullshit out and force them to make new memories they’ll be much more appreciative of down the line.
That too! I hope there is
otherwise you're gonna get "girl just made the same album twice" comments everywhere
Seems like a weird harsh reaction to an artists second album
What does every band have to progress with every release now
Two albums can't be similar
I feel as though “The Electric Spanking of War Babies” is underrated.
Electro-Cuties is a smacker
Said it before and Ill say it again
I NEED Thom to finish this song for the next Radiohead album (assuming we’ll get one)
!https://youtu.be/8ghh8eoIw0U?si=pddXTl4lie_VzQpWRadiohead done aside from anniversary albums
That’s why you gotta tune those nerds out and do what you do.
I think the key is to either dive headfirst into a new sound and wait for people to grow into it or slowly evolve over several albums.
Staying stagnant sonically is the worst. You gotta do SOMETHING a little different from the last, even if it’s divisive.
they should follow kanye's album templates for progression he did it quite well for the first three albums
just develop the original sound further and fine tune it and then switch it up as you go along
but these pop producers are basically AI humans and just rely on formulas and proven things