1. The Independent: 100/100
2. The Irish Times: 100/100
3. Los Angeles Times: 100/100
4. New Musical Express (NME): 100/100
5. The Telegraph: 100/100
6. Clash Music: 90/100
7. Gigwise: 90/100
8. Variety: 88/100
9. Consequence of Sound: 83/100
10. AllMusic: 80/100
11. The Arts Desk: 80/100
12. Evening Standard: 80/100
13. The Financial Times (FT): 80/100
14. The Forty-Five: 80/100
15. The i: 80/100
16. The Line of Best Fit: 80/100
17. Louder Than War: 80/100
18. Mojo: 80/100
19. Northern Transmissions: 80/100
20. The Times: 80/100
21. Under the Radar: 80/100
22. Paste Magazine: 79/100
23. Entertainment Weekly: 75/100
24. Pitchfork: 75/100
25. Far Out Magazine: 73/100
26. Beats per Minute: 70/100
27. DIY Magazine: 70/100
28. PopMatters: 70/100
29. Slant Magazine: 70/100
30. Spin: 70/100
31. The Guardian: 60/100
The average critic score: 81/100 (B)
(based on 31 reviews: 30 positive, 1 mixed; ~96.77%/~98.39%).
Pitchfork got the right score tbh
How are we feeling about the album?
it’s pretty good
I like it
I think NFR is better but I def enjoy this more than her older work
Its a pretty solid album, little slow for my taste tho. Kinda feels like a retread of the NFR sound, just slowed down... more or less what I expected from the singles.
Listening right now to this high as hell
Definitely had to light one up for this
Been edging all day now it’s cocc time
We were born to die
It lead us to ultraviolece
Until we went in a Honeymoon
Where we discovered a Lust for Life
And met Norman F***ing Rockwell
Now it’s time to get this COCC
it’s pretty good
I like it
I think NFR is better but I def enjoy this more than her older work