Idk how anyone could not put this album over HIFN. This IS an instant classic if you're a Charli XCX fan. She is batting a thousand across all these tracks, even on the bonus edition.
HIFN was a cool album, but it definitely sounds like a quick pandemic project. Not sure why some people rank it so highly in her discography. To me, her two best albums are unquestionably Pop 2 and this.
There is no debate about what her best project is lol
It’s Brat
There is no debate about what her best project is lol
It’s Brat
The music really just speaks for itself too it’s the greatest blend of all her strengths musically & songwriting wise
Damn @Brave @Mitchell @atthepyramids
https://twitter.com/popcrave/status/1804948755608650025You know who could “do” “it”? She was right there the whole time and it took that amazing remix for me to realize:
Lorde. Lorde can take down Taylor Swift for the same exact reasons those of us who are smart we knew Kendrick would splash Drake
Idk how anyone could not put this album over HIFN. This IS an instant classic if you're a Charli XCX fan. She is batting a thousand across all these tracks, even on the bonus edition.
HIFN was a cool album, but it definitely sounds like a quick pandemic project. Not sure why some people rank it so highly in her discography. To me, her two best albums are unquestionably Pop 2 and this.
absolutely no need to slander hifn like this, they both have merits
prolly one of the only pandemic pieces of art that felt genuine
Idk how anyone could not put this album over HIFN. This IS an instant classic if you're a Charli XCX fan. She is batting a thousand across all these tracks, even on the bonus edition.
HIFN was a cool album, but it definitely sounds like a quick pandemic project. Not sure why some people rank it so highly in her discography. To me, her two best albums are unquestionably Pop 2 and this.
I listened to Brat and HIFN b2b the other night and they're both wonderful.
Brat is like what Crash should have been, it's an immensely well orchestrated pop album that sounds fresh and exciting, but HIFN is like a different category of music altogether. The production sounds f***ing radical even 4 years later. The blend of pop hooks and chaotic Sophie-inspired hyperpop is so special. It's like she took a chainsaw to her most fragile and vulnerable songs.
They saying that Mean Girls was written about Dasha from Red Scare 🤮 🤮🤮🤮🤮
the mean girls version with dasha from red scare
the mean girls version with dasha from red scare
Honestly dislike her so much that it takes away from the song
no hate by here, but why isit already considered a classic?
Reaction to the project (at least here in the UK) has been profoundly positive and the entire campaign has been so present from start-to-finish
Getting love online and offline, I know a dozen people playing this
Definitely feels like her biggest moment yet
That’s my take on it anyhow as an outsider, someone itt is probably better qualified to answer
Some of the production on here is some of the best ive heard all year. A lotta autotune but im told by the streets that’s her style.
The piano breakdown on mean girls had a nigga floating and the beat changes on 365 along with connecting back to 360 was wild BUT I keep going back to i think about it all the time a lot lol. Surprisingly very personal lyrics for a pop artist throughout this whole album tbh.
That jersey s*** on club classics was also fire.
Honestly dislike her so much that it takes away from the song
if only she’d faded into irrelevancy after that sailor hat video
no hate by here, but why isit already considered a classic?
Because its really good music with simple aesthetics
I’m just glad they squashed it before it spilled in to the streets
Streets told me it was about to get ‘96 east coast west coast levels s*** tbh :ariscared:
Jokes aside this verse is beautiful and transparent asf. I might f*** around and put it in my top verses at the end of the year
They saying that Mean Girls was written about Dasha from Red Scare 🤮 🤮🤮🤮🤮
coincidentally the worst song on the album
Some of the production on here is some of the best ive heard all year. A lotta autotune but im told by the streets that’s her style.
The piano breakdown on mean girls had a nigga floating and the beat changes on 365 along with connecting back to 360 was wild BUT I keep going back to i think about it all the time a lot lol. Surprisingly very personal lyrics for a pop artist throughout this whole album tbh.
That jersey s*** on club classics was also fire.
@atthepyramids @Mitchell
MUSIC!
mean girls (PARTYGIRL edit) >> mean girls (alt right washed up contrarian version)
When I'm in the club, yeah I'm (Bumpin' that)
When I'm at the house, yeah I'm (Bumpin' that)
365, party girl (Bumpin' that)
Should we do a little key?
Should we have a little line? (Ah-ah, ah)