if this was a charli xcx song, pitchfork would say it was a powerful ode to living and loving in turbulent times or whatever
what are you even talking about lol
pitchfork s*** all over vroom vroom when it came out by the way, gave it a 4/10 i think
they redid their review and praise it now but they didn’t see the vision
if this was a charli xcx song, pitchfork would say it was a powerful ode to living and loving in turbulent times or whatever
Sorry but this album was over hated
Wayne Coyne/The Flaming Lips deserve a lot of credit/blame for Dead Petz. They got her high as a mf and pushed her in that direction lol
what are you even talking about lol
pitchfork s*** all over vroom vroom when it came out by the way, gave it a 4/10 i think
they redid their review and praise it now but they didn’t see the vision
Pitchfork in 2016 was a different beast, I mean modern day poptimist b****fork ofc
pitchfork.com/reviews/albums/21683-vroom-vroom-ep
Is she sending up pop’s shallow triumphalism? Or reinforcing it? As Charli sees it, audiences are smart enough to detect the artistic intent at the heart of this collaboration—to "be sharp, potent and deadly," as she said in a statement, and be "number one," as "Trophy" puts it. But few things are as wearying as pop culture that constantly congratulates you on how clever you are for "getting it," and Vroom Vroom is nothing if not exhausting.
damn they cut right to the heart of it
bring back the old pitchfork

this has more individuality and experimentation than any charli xcx project. better songwriting too. and if miley cyrus had slipped a little money to pitchfork, fantano and NME for a good review, youd be eating it up, calling miley a genius, defending her racist remarks
Look at this dumbass lmao