What’s y’all favorite on Safe in the Hands of Love??
i go back and forth between Let the Lionness In You Flow Freely and Licking An Orchid depending on my mood. I love the project as a front to back piece too tho, the sequencing is perfect
Noid
What’s y’all favorite on Safe in the Hands of Love??
i go back and forth between Let the Lionness In You Flow Freely and Licking An Orchid depending on my mood. I love the project as a front to back piece too tho, the sequencing is perfect
Honesty
Stereogum put out their write up for this album already:
stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week
By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.
That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.
Stereogum put out their write up for this album already:
https://www.stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week/
By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.
That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.
DAMN I NEED NOW
Stereogum put out their write up for this album already:
https://www.stereogum.com/2078103/yves-tumor-heaven-to-a-tortured-mind-review/franchises/album-of-the-week/
By comparison, Heaven To A Tortured Mind is jarring and immediate — rock ‘n’ roll history refracted through the imagination of an androgynous American expat with a background in Europe’s avant-garde club scene, known to take the form of a demon in fishnets. As with Safe In The Hands Of Love, Tumor co-produced Heaven To A Tortured Mind with Justin Raisen, the LA mainstay whose work with the likes of Sky Ferreira, Angel Olsen, and Miya Folick has long skirted the edge between pop and indie rock. They teamed with core collaborators including producer-at-large Yves Rothman, “acid R&B” guitarist Heavy Mellow, French composer Sylvain Carton, and several members of Ariel Pink’s band, plus pop-ins from figures like Hirakish, Kelsey Lu, Diana Gordon, Clara La San, and Sunflower Bean’s Julia Cumming.
That’s an eclectic crew, and they’ve come up with an eclectic sound. Heaven To A Tortured Mind reminds me of the 1970s, when the likes of David Bowie and Sly Stone and Pink Floyd and Funkadelic were carrying rock music to revolutionary, apocalyptic extremes. It reminds me of the second half of the ’90s, when artists were jumbling genres in the shadow of metropolitan cool kids like Beastie Boys and Beck. It reminds me of the shadowy internet-native pop revisionists of the 2010s, of Oneohtrix Point Never and Arca and Autre Ne Veut and the Weeknd. It sounds less like the future than the timeline bending backward into an alternate history, a better version of the darkly funky odysseys Donald Glover has been attempting in recent years.
that gambino shade lmfaooo
I’m realllyyyy f***ing with the singles. Reminds me of Young Americans era David Bowie but mixed with the art rock/electronics of the Berlin Trilogy. Loving it.
My man Sean Bowie bringing back the rock this friday.
Singlehandedly reviving a whole genre