top 3 for me go like:
wusyaname
corso
sweet/i thought you wanted to dance
no particular order,
Gross
It's healthy in small doses
also I stopped smoking cigarettes and got onto the cinnamon vape wave
spicy and delicious
Tyler sampled Eric Andre:
!https://www.youtube.com/watch?v=jakvOoYJMtw&ab_channel=StonesThrow0:14

Both Cole & Tyler came through with great albums for me. Hope Vince and Zay follow suit
20 years from now my kids gonna wake up with wusyaname playing and know it's a cleaning day
pitchfork.com/thepitch/tyler-the-creator-call-me-if-you-get-lost-new-album-takeaways
Wes Anderson and whiteness as an aesthetic
As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation. And CMIYGL’s is complemented by a cohesive set of visuals, from the album cover to billboards to teasers and music videos. Wes Anderson’s influence looms large here, with wide-angle shots on diorama sets, and vintage luxury suitcases shot with a low-contrast, brown-and-pastel color palette. It’s hard to separate Anderson’s manicured aesthetic from whiteness, and how Tyler’s proximity to and relationship with whiteness throughout his career has proven to be awkward and, at times, problematic. Beyond the eyebrow-raising voiceover in the LUMBERJACK teaser talking about the “powder that’s reflecting on my porcelain skin,” the visuals as a whole recall Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,” and his history of speaking of Black people as a monolith.
Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,”
Ummm
Just realised from Tyler's tweet that it's 'you look malnourished', not 'you look 'bout nervous'
Just realised from Tyler's tweet that it's 'you look malnourished', not 'you look 'bout nervous'
https://pitchfork.com/thepitch/tyler-the-creator-call-me-if-you-get-lost-new-album-takeaways/
Wes Anderson and whiteness as an aesthetic
As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation. And CMIYGL’s is complemented by a cohesive set of visuals, from the album cover to billboards to teasers and music videos. Wes Anderson’s influence looms large here, with wide-angle shots on diorama sets, and vintage luxury suitcases shot with a low-contrast, brown-and-pastel color palette. It’s hard to separate Anderson’s manicured aesthetic from whiteness, and how Tyler’s proximity to and relationship with whiteness throughout his career has proven to be awkward and, at times, problematic. Beyond the eyebrow-raising voiceover in the LUMBERJACK teaser talking about the “powder that’s reflecting on my porcelain skin,” the visuals as a whole recall Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,” and his history of speaking of Black people as a monolith.
Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,”
Ummm
"As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation"
I can't stand the way these Pitchfork "journalists" write, it sounds like me in High School english trying to sound intelligent to finesse better grades