Reply
  • Jun 27, 2021
    ·
    1 reply
    Tyler1999

    Absolutely nothing besides nicotine

    Gross

  • Jun 27, 2021

    top 3 for me go like:
    wusyaname
    corso
    sweet/i thought you wanted to dance

    no particular order,

  • Jun 27, 2021

    hov talking bout a hundred million nigga loop me in

  • Jun 27, 2021
    Goo

    Gross

    It's healthy in small doses
    also I stopped smoking cigarettes and got onto the cinnamon vape wave spicy and delicious

  • Jun 27, 2021
    ·
    1 reply

    yo Jamie xx produced rise

    That’s tight

  • Jun 27, 2021

    this one of the most unique sounding albums since WLR

  • Jun 27, 2021
    ·
    1 reply

    Bruh what are these sounds

  • Jun 27, 2021
    ·
    1 reply
    SlicedBread

    Bruh what are these sounds

    Crazy 🤦🏾‍♂️

  • Jun 27, 2021
    2ILL

    Crazy 🤦🏾‍♂️

    Bruh im only on track 4 and this sounding crazy

  • Jun 27, 2021
    POOM POOM DOOM

    Tyler sampled Eric Andre:

    !https://www.youtube.com/watch?v=jakvOoYJMtw&ab_channel=StonesThrow

    0:14

  • Jun 27, 2021

    This nigga really rapped over that Gravediggaz beat.

    Hard.

  • Jun 27, 2021

    MF DOOM sounding ass nigga

  • Jun 27, 2021

    Lumberjack is crazy

  • Jun 27, 2021

    Both Cole & Tyler came through with great albums for me. Hope Vince and Zay follow suit

  • Jun 27, 2021

    HE GOT WAYNE ON THIS?????

  • Jun 27, 2021

    Nigga this fire

  • Jun 27, 2021
    aaron xx

    20 years from now my kids gonna wake up with wusyaname playing and know it's a cleaning day

  • Jun 27, 2021

    RUN IT UP

  • Jun 27, 2021

    Momma Talk

  • Jun 27, 2021
    ·
    6 replies

    pitchfork.com/thepitch/tyler-the-creator-call-me-if-you-get-lost-new-album-takeaways

    Wes Anderson and whiteness as an aesthetic

    As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation. And CMIYGL’s is complemented by a cohesive set of visuals, from the album cover to billboards to teasers and music videos. Wes Anderson’s influence looms large here, with wide-angle shots on diorama sets, and vintage luxury suitcases shot with a low-contrast, brown-and-pastel color palette. It’s hard to separate Anderson’s manicured aesthetic from whiteness, and how Tyler’s proximity to and relationship with whiteness throughout his career has proven to be awkward and, at times, problematic. Beyond the eyebrow-raising voiceover in the LUMBERJACK teaser talking about the “powder that’s reflecting on my porcelain skin,” the visuals as a whole recall Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,” and his history of speaking of Black people as a monolith.

    Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,”

    Ummm

  • Jun 27, 2021
    ·
    3 replies

    Just realised from Tyler's tweet that it's 'you look malnourished', not 'you look 'bout nervous'

  • Jun 27, 2021
    Fries

    Just realised from Tyler's tweet that it's 'you look malnourished', not 'you look 'bout nervous'

  • Jun 27, 2021
    ·
    2 replies

    CATCH ME IN MY OTHER OTHER OTHER OTHER CRIB THAT'S MY AKA

  • Jun 27, 2021
    RIZGOD

    CATCH ME IN MY OTHER OTHER OTHER OTHER CRIB THAT'S MY AKA

  • Jun 27, 2021
    ·
    6 replies
    Goo

    https://pitchfork.com/thepitch/tyler-the-creator-call-me-if-you-get-lost-new-album-takeaways/

    Wes Anderson and whiteness as an aesthetic

    As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation. And CMIYGL’s is complemented by a cohesive set of visuals, from the album cover to billboards to teasers and music videos. Wes Anderson’s influence looms large here, with wide-angle shots on diorama sets, and vintage luxury suitcases shot with a low-contrast, brown-and-pastel color palette. It’s hard to separate Anderson’s manicured aesthetic from whiteness, and how Tyler’s proximity to and relationship with whiteness throughout his career has proven to be awkward and, at times, problematic. Beyond the eyebrow-raising voiceover in the LUMBERJACK teaser talking about the “powder that’s reflecting on my porcelain skin,” the visuals as a whole recall Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,” and his history of speaking of Black people as a monolith.

    Tyler’s early comments about being “too white for the Black kids and too Black for the white kids,”

    Ummm

    "As Tyler has become more refined, so has his aesthetic, evolving from youthful chaos to careful curation"

    I can't stand the way these Pitchfork "journalists" write, it sounds like me in High School english trying to sound intelligent to finesse better grades