Was listening to K+ again 3 weeks ago - kilo got dealt such a s***ty hand. Kinda like what niggas on KTT 1 thought was happening to Kacy Hill
Contemporary “indie sleaze” is, in my opinion, delineated from the 2022 resurgence of crystal castles which was originally a weird, niche, overly white corner of the scene
The historical revisionism continued from there
As always, Black people did it already. And did it better.
Contemporary “indie sleaze” is, in my opinion, delineated from the 2022 resurgence of crystal castles which was originally a weird, niche, overly white corner of the scene
The historical revisionism continued from there
Exactly this! Maps getting a Tik tok dance challenge is when it really broke containment
Was listening to K+ again 3 weeks ago - kilo got dealt such a s***ty hand. Kinda like what niggas on KTT 1 thought was happening to Kacy Hill
damn nigga getting old man lol

damn nigga getting old man lol
!https://www.youtube.com/watch?v=87IhxQM3ov0Goldmine man..immaculate bop
Miss the blog era in general. A tape having names like Gambino, Earl, Vince, s*** was just another day in the office. We didn’t know how good we had it
pigeons and planes article like its 2015
Pigsandplans shark hella niggas content on Twitter and pass it off as theirs, so I’m not exactly riding for em, but I rather have dudes who were covering music close to that time making a piece like this. Some 20 year old nigga with an archive ig larping like they were there ain’t worthwhile material
Contemporary “indie sleaze” is, in my opinion, delineated from the 2022 resurgence of crystal castles which was originally a weird, niche, overly white corner of the scene
The historical revisionism continued from there
That’s essentially what the musical equivalent of this genre has been
I feel like the fashion/cultural revival has stemmed from much larger and mainstream aims
Imagine being a crystal castles and seeing all of these acts multiples bigger than you
I’d argue Hellp, Snow Strippers, obv 2hollis, all pretty demonstrably bigger. Bassvictim, frost children, Suzy sheets they may be up next
That’s essentially what the musical equivalent of this genre has been
I feel like the fashion/cultural revival has stemmed from much larger and mainstream aims
I think the aesthetic of the scene is heavily inspired by WLR Carti and Yeezus Ye with its industrial-punk, tight denim and leather, obsession with “raving,” etc.
Exactly this! Maps getting a Tik tok dance challenge is when it really broke containment
MGMT, Crystal Castles, Com Truise, etc. being the audio blueprint for all the alt right s*** of the COVID/Trump 2.0 era doesn’t help things
MGMT, Crystal Castles, Com Truise, etc. being the audio blueprint for all the alt right s*** of the COVID/Trump 2.0 era doesn’t help things
I think people wrote off alt right being as internet in tuned as they were in the early 00s, but that s*** has really paid off divs for them in cultivating internet prominence
It’s unfortunate they’ve done such a good job of rebranding what were pretty lefty associated acts and concepts (read: “based”)
Contemporary “indie sleaze” is, in my opinion, delineated from the 2022 resurgence of crystal castles which was originally a weird, niche, overly white corner of the scene
The historical revisionism continued from there
tbh i always associated it with like the strokes and pete doherty and stuff not electronic music
@proper do you accept that aziz ansari is indie sleaze now
shoutout kilo kish a true visionary