4000

Sad tweet, the album kicks ass and heartstrings 🔥

4K

When are the bonus tracks hitting streaming???

Since they haven’t already, I’m gonna guess in May when the movie drops

4 thouuuuuuuu

4000

Vision is in 4K...

what you mean

4k

HURRY UP TOMORROW
EXTENDED TECHNICAL SPECIFICATIONS
DISTRIBUTION:

• Primary Distributor: Hot Topic Bogotá
• Territory: Colombia (Initial Release)
• Sub-Distribution Rights: Negotiable (Discussions ongoing with international distributors)
• Distribution Formats:

  • IMAX Digital Cinema Package (DCP) – 18K
  • IMAX 70mm Film Print Distribution (Limited – 20 prints worldwide)
  • Standard DCP (down-converted from 18K master) – Variable resolutions (8K, 4K, 2K) for non-IMAX venues.
  • Digital Distribution (Home release, after theatrical window – Platforms: Apple TV, Amazon Prime Video, Vudu, others TBD)
• Versioning: Colombian Spanish (dubbed and subtitled versions). Original language version: English.
  PRODUCTION FORMAT:
• Master Resolution: 17920 x 9580 pixels (18K)

  • Pixel Aspect Ratio: 1:1 (Square Pixels)
  • Color Depth: 16-bit per channel (Red, Green, Blue, Alpha)
  • Color Space: ACEScg (Academy Color Encoding System)
  • Mastering Format: Uncompressed DPX Sequence
• Acquisition Format:

  • Camera System: IMAX MSM 9802 70mm Film Cameras (x4 units)
  • Film Stock:

    • Kodak VISION3 50D Color Negative Film 5203 (for daylight exteriors)
    • Kodak VISION3 250D Color Negative Film 5207 (for day interiors/lower light)
    • Kodak VISION3 500T Color Negative Film 5219 (for night scenes)
  • Negative Format: 65mm, 15-perforation (IMAX Standard)
  • Film Processing: FotoKem (Burbank, CA), ECN-2 process
  • Scanning: 18K film scan from original camera negative (OCN) using a custom-built Scanity HDR scanner with enhanced dynamic range capabilities.
• Frame Rate:

  • Native Capture: 500 frames per second (fps)
  • Intended Playback: Variable. The 500fps capture allows for:

    • Standard 24fps playback (with significant slow-motion capability)
    • High Frame Rate (HFR) presentations at multiples of 24fps (e.g., 48fps, 60fps, 120fps) for select scenes, creating hyper-realistic motion.
    • Variable frame rate playback within the same presentation, switching between standard and slow-motion seamlessly.
  • Shutter Angle: Variable, ranging from 11.25 degrees (for extreme slow-motion) to 270 degrees (for specific motion blur effects). Most scenes shot at 180 degrees.
• Aspect Ratio:

  • Native Camera Aspect Ratio: 1.43:1 (IMAX)
  • Exhibition Aspect Ratios:
    1.43:1 (Full Frame IMAX) – For select IMAX venues with full-height screens.
    1.90:1 (IMAX Digital) – For most IMAX digital projection systems.
    2.39:1 (Scope) – Matted presentation for standard cinema screens.
    Variable Aspect Ratio, the change in aspect ratio will happen dynamically.
    AUDIO:
• Primary Audio Format: Dolby Atmos

  • Channel Configuration: 11.1.6 (11 base channels, 1 LFE channel, 6 overhead channels) – A very immersive setup.
  • Object-Based Audio: Utilizes Dolby Atmos object-based mixing for precise placement and movement of sound within the 3D soundstage.
  • Loudness Standard: Compliant with ITU-R BS.1770-4, target loudness -24 LKFS.
  • Mixing Studio: Skywalker Sound (Marin County, CA), Mixing Engineer: Gary Rydstrom
• Exclusive Headphone Mix:

  • Format: Optimized Binaural Mix (Stereo)
  • Compatibility:

    • Apple AirPods (all generations)
    • Apple AirPods Pro (all generations)
    • Apple AirPods Max
    • Select Apple-certified MFi (Made for iPhone/iPad/iPod) headphones supporting binaural rendering.
  • Technology: Leverages Apple Spatial Audio framework (where available) for head-tracked dynamic binaural rendering, creating a virtual surround sound experience.
  • Note: Optimal Spatial Audio experience requires compatible Apple devices (iPhone, iPad, Apple TV) and operating system versions supporting head tracking.
• Additional Audio Formats:

  • 7.1 Surround Sound (downmix from Atmos)
  • 5.1 Surround Sound (downmix from Atmos)
  • 2.0 Stereo (downmix from Atmos) – For broader compatibility.
  • Descriptive Audio Track (for visually impaired audiences) – English and Spanish.
  • Commentary Track(s) – Director's Commentary, Technical Commentary (with VFX Supervisor and Cinematographer).
    RUNTIME:
• Total Runtime: 294 minutes (4 hours, 54 minutes)
• Intermission: One 15-minute intermission at the 147-minute mark.
  SOUNDTRACK:
• Original Score Produced By:

  • Daniel Lopatin (OPN)
  • Mike Dean
  • Khaled "DJ Khaled" Mohamed Khaled
• Music Supervisor: OPN
• Music Licensing: All music original, no licensed tracks.
• Recording Studios:

  • Electric Lady Studios (New York City)
  • Abbey Road Studios (London)
  • Capitol Studios (Los Angeles)
• Mixing Engineer (Music): Mike Dean
• Mastering Engineer (Music): Mike Dean (The Mastering Palace, NYC)
  POST-PRODUCTION:
• Digital Intermediate (DI): Company 3 (Santa Monica, CA), Colorist: Stefan Sonnenfeld
• Visual Effects (VFX):

  • Industrial Light & Magic (ILM) - VFX Supervisor: Pablo Helman
  • Weta Digital - VFX Supervisor: Joe Letteri
  • Digital Domain - VFX Supervisor: Dave Hodgins
• Conform: EFILM (Hollywood, CA), Conform Software: Autodesk Flame, Conform Editor: Mitch Paulson
• Deliverables: A comprehensive list including:

  • 18K IMAX DCP (various frame rates)
  • 70mm film prints (with various soundtrack formats)
  • 8K, 4K, and 2K DCPs (various aspect ratios and frame rates)
  • Home video masters (various resolutions, HDR formats, and audio mixes)
  • Archival masters (DPX sequences, LTO tape backups)
    ADDITIONAL NOTES:
• This film utilizes cutting-edge high-resolution and high-frame-rate technology to deliver an unprecedented level of visual and auditory fidelity.
• The 18K master provides exceptional detail and clarity, even when down-converted for various exhibition formats.
• The 500fps capture allows for unparalleled creative flexibility in post-production, enabling a wide range of slow-motion effects and dynamic frame rate variations.
• The use of both 70MM and digital technology.
• Every single element of the movie was made to improve the cinematic experience.
  RELEASE DATE: May 16, 2025 (Colombia)
  CONTACT:
  Hot Topic Bogotá
  Attn: Film Distribution Department

4000

XO TATTED ALL OVER HER BODY

Its my fav

Swear album gets better with every listen

4K vision

4000