Y’all gotta stop saying Meek was an easy target lmao. That is not what was being said at the time that beef was happening. People were bringing up much Meek was an actual battle rapper and Drake wasn’t ready to handle him. Meek had the streets and people even then were jumping on board ready for Drake to go down.
Also, that was not an easy dub for Drake. His entire legacy and credibility was on the line. He had to come with a very calculated approach. Making Charged Up and Back to Back and keeping Nicki mainly out of it was not easy lol the ghostwriting s*** still follows him today. Nothing about that beef was “easy”.
fair enough. the stakes, no pun intended, were much higher back then. this doesn't even compare to that I feel
Anyone have a list of tracks that were played? I remember hearing a Drake song that sounded dancehall-esque. Can't remember if it was a leak or a loosie, can't remember the name
I found it, Ela É do Tipo (feat. Drake) (Remix)

In the far-flung reaches of the musical frontier, there existed two sharpshooters, each masters of their craft. One hailed from the North, known to the townsfolk as Drake, a wordsmith with a velvet voice, whose words could charm snakes from their pits. The other, a recluse from the West, went by the name of Kendrick Lamar, a lyrical marksman whose verses cut deeper than a miner’s pick.
Drake had laid down two challenges in the form of lyrical volleys, diss tracks that echoed through the canyons of the music world. Yet, Kendrick, the stoic sentinel of the West, had remained silent, his response as elusive as the desert mirage.
Time wore on like the slow churning of river waters, and the people grew restless for Kendrick’s reply, which never came. Whispers filled the saloons and record stores, speculating why the Western poet kept his peace. Some said Kendrick was crafting a masterpiece in the solitude of his desert haven, while others believed he simply chose to rise above the fray.
Undeterred and with the spirit of a pioneer, Drake prepared for a third assault, his resolve hardened like the leather of a rancher’s gloves. In the cool twilight of an autumn evening, he released his third diss track—a tempest unleashed. The song was a blend of fiery words and a melancholy tune, like a prairie fire fueled by a lover’s lament. It flowed through the airwaves, reaching every ear from the snowy peaks of the North to the sun-baked clay of the South.
The track was a spectacle, a blend of accusation and confession, where Drake laid bare his grievances while also admiring Kendrick’s stoic resolve. “Why do you stay silent, brother of the West?” he crooned, his voice echoing through the lonely streets and empty valleys.
The morning after, as the sun broke over the horizon like a golden coin tossed into the sky, the townsfolk awaited Kendrick’s return volley. But the Western poet’s silence was unbroken. Instead, it was the whispering wind that carried his unspoken words, a silent acknowledgment that in this duel of verses, the mightiest response might well be the choice to hold one’s peace.
And so, the tale became legend, passed down through generations. It was a story of two titans, one who spoke in storms and one who answered in silence, each defining the other in the grand theater of the musical wild west.

They gonna make me record this aren’t they smh
They gonna make me record this aren’t they smh
You're gonna record this just to hear
"Wow mandem it's gettin unruly in the streets you know, protect ur head tops out here, eh!"
You're gonna record this just to hear
"Wow mandem it's gettin unruly in the streets you know, protect ur head tops out here, eh!"
And if so I’m deleting it
In the far-flung reaches of the musical frontier, there existed two sharpshooters, each masters of their craft. One hailed from the North, known to the townsfolk as Drake, a wordsmith with a velvet voice, whose words could charm snakes from their pits. The other, a recluse from the West, went by the name of Kendrick Lamar, a lyrical marksman whose verses cut deeper than a miner’s pick.
Drake had laid down two challenges in the form of lyrical volleys, diss tracks that echoed through the canyons of the music world. Yet, Kendrick, the stoic sentinel of the West, had remained silent, his response as elusive as the desert mirage.
Time wore on like the slow churning of river waters, and the people grew restless for Kendrick’s reply, which never came. Whispers filled the saloons and record stores, speculating why the Western poet kept his peace. Some said Kendrick was crafting a masterpiece in the solitude of his desert haven, while others believed he simply chose to rise above the fray.
Undeterred and with the spirit of a pioneer, Drake prepared for a third assault, his resolve hardened like the leather of a rancher’s gloves. In the cool twilight of an autumn evening, he released his third diss track—a tempest unleashed. The song was a blend of fiery words and a melancholy tune, like a prairie fire fueled by a lover’s lament. It flowed through the airwaves, reaching every ear from the snowy peaks of the North to the sun-baked clay of the South.
The track was a spectacle, a blend of accusation and confession, where Drake laid bare his grievances while also admiring Kendrick’s stoic resolve. “Why do you stay silent, brother of the West?” he crooned, his voice echoing through the lonely streets and empty valleys.
The morning after, as the sun broke over the horizon like a golden coin tossed into the sky, the townsfolk awaited Kendrick’s return volley. But the Western poet’s silence was unbroken. Instead, it was the whispering wind that carried his unspoken words, a silent acknowledgment that in this duel of verses, the mightiest response might well be the choice to hold one’s peace.
And so, the tale became legend, passed down through generations. It was a story of two titans, one who spoke in storms and one who answered in silence, each defining the other in the grand theater of the musical wild west.
Go touch some grass.
Nahhh nahhh nahhh not this time 👀
In