I know this song hates to see me open the music app

USED TO BE A SMARTY
USED TO BE A SMARTY
my b****es playing PND and them, them shorties dont listen to weeknd
I donβt know s***.. my fake insider arc has been over buttttt you got a bunch of others claiming tomorrow night is the night so letβs see
So u havenβt heard anything from ur contacts ?
So u havenβt heard anything from ur contacts ?
drake gave him $30 for a mix and master, twisting out tomorrow
my b****es playing PND and them, them shorties dont listen to weeknd
PUNK SISSY
drake gave him $30 for a mix and master, twisting out tomorrow
I gave the boy a discount bro
I gave the boy a discount bro
"yes papi, $25 dollar mix and master, you gotta tip tho please"
"yes papi, $25 dollar mix and master, you gotta tip tho please"
Lets be for real, he gave Drake the $25 :jordanlaff3:
Papi's Home doesn't get nearly enough as much love
COLD verse LMFAO. Hilarious and straight savage

Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
pusha and virginia williams never had documented issues, the only murmur of any issues within his relationships (and virginia wasnt even named) was through admission of pusha T's own during the MBDTF sessions interview about the process of recording "Runaway." Sooooo what was drake's point in calling her out?
what was drake's point in calling/referencing Nicki? at that time meek and nicki was still together and didn't have issues.
your reasoning behind kendrick is well and sound.
...you do realize Kendrick is well within his right to return the favor tho?
Like I said, idc just don't reach and act like he's not just a huge hater as per his own admission. If he's fine with being a s***ty family man so am I. Just remember, and as I said initially, he is the agitator for being mad at not being mentioned first and the truth second