every cinematic album ever is like that
1 listen classics and then you never replay it because it's a chore
tyler the creator discography
Don’t forget to iron
No.
Anyways, “bad mixes” are subjective to some degree but not completely. Someone might consider a song badly mixed if it’s guilty of the following.
Unbalanced: say the low end is drowning out the high end, or vice versa. Maybe the mid-range is poking out too much so the track feels boxy or congested. Maybe there’s an instrument too loud or maybe it’s too low. Maybe there’s right stereo field feels too heavy compared to the left. Many ways a track can be unbalanced
Resonance: You may find that specific frequencies resonate too loud, piercing your ear, causing a headache. You generally wanna cut that crap out
Masking: when two tracks occupy a similar frequency range and lose definition/clarity when heard at the same time. A good mix makes room for every track to coexist peacefully and somewhat in its own space
Bad dynamics: say a bass guitar is too loud on some notes, but soft on others. It’s hard to feel the full impact of the bass if it’s nearly mute some moments, or overbearing in other moments.
Clipping: Much like everything else, this can be done for stylistic choices (See the guitar in Pink Matter by Frank for example.) but this is when a track is going past 0dbs, whats standard for all audio systems, so it distorts in a real nasty way.
there are a multitude of ways mixing can be considered “bad” but these are the main ones that come to mind.
u such a fake canadian
American weeb!
@nort theres gotta be another example can u give me the same song mixed bad and mixed good?
ahhh lemme think
bro wants to put 0 effort and get maximum results. i respect the finessing. real ATL scammy s***
If him and Frank ever drop a collab, I need it to be called “Big Finessing”
Will respect the f*** out of it.
Calm Down was appropriate imo because the beat was so goddamn repetitive and boring on that song to begin with
A slight beat alteration was welcomed.
It’s when you have a great beat and then you switch it to something worse to accommodate the artist like Fair Trade that it’s a problem.
The audio terrorist did it again on HL too
Ughhh this sample on Niagara Falls with those fat ass drums
Feels like prime Neptunes
No.
Anyways, “bad mixes” are subjective to some degree but not completely. Someone might consider a song badly mixed if it’s guilty of the following.
Unbalanced: say the low end is drowning out the high end, or vice versa. Maybe the mid-range is poking out too much so the track feels boxy or congested. Maybe there’s an instrument too loud or maybe it’s too low. Maybe there’s right stereo field feels too heavy compared to the left. Many ways a track can be unbalanced
Resonance: You may find that specific frequencies resonate too loud, piercing your ear, causing a headache. You generally wanna cut that crap out
Masking: when two tracks occupy a similar frequency range and lose definition/clarity when heard at the same time. A good mix makes room for every track to coexist peacefully and somewhat in its own space
Bad dynamics: say a bass guitar is too loud on some notes, but soft on others. It’s hard to feel the full impact of the bass if it’s nearly mute some moments, or overbearing in other moments.
Clipping: Much like everything else, this can be done for stylistic choices (See the guitar in Pink Matter by Frank for example.) but this is when a track is going past 0dbs, whats standard for all audio systems, so it distorts in a real nasty way.
there are a multitude of ways mixing can be considered “bad” but these are the main ones that come to mind.
AI Carti + AI Nort combo
My BMI prohibits me from being one
Good.
Twinks bring toxicity exclusively.
My BMI prohibits me from being one
Realest post I’ve read itt ueyet damn!
No.
Anyways, “bad mixes” are subjective to some degree but not completely. Someone might consider a song badly mixed if it’s guilty of the following.
Unbalanced: say the low end is drowning out the high end, or vice versa. Maybe the mid-range is poking out too much so the track feels boxy or congested. Maybe there’s an instrument too loud or maybe it’s too low. Maybe there’s right stereo field feels too heavy compared to the left. Many ways a track can be unbalanced
Resonance: You may find that specific frequencies resonate too loud, piercing your ear, causing a headache. You generally wanna cut that crap out
Masking: when two tracks occupy a similar frequency range and lose definition/clarity when heard at the same time. A good mix makes room for every track to coexist peacefully and somewhat in its own space
Bad dynamics: say a bass guitar is too loud on some notes, but soft on others. It’s hard to feel the full impact of the bass if it’s nearly mute some moments, or overbearing in other moments.
Clipping: Much like everything else, this can be done for stylistic choices (See the guitar in Pink Matter by Frank for example.) but this is when a track is going past 0dbs, whats standard for all audio systems, so it distorts in a real nasty way.
there are a multitude of ways mixing can be considered “bad” but these are the main ones that come to mind.
NortGPT
AI Carti + AI Nort combo
typed myself!
Niagara falls...
Finally some good music
These fat ass drums
Some 00’s r&b s***
The audio terrorist did it again on HL too
Oh god yes when it goes from a really nice boom bap beat to NBA 2K menu music
F*** Travis for ruining that
No.
Anyways, “bad mixes” are subjective to some degree but not completely. Someone might consider a song badly mixed if it’s guilty of the following.
Unbalanced: say the low end is drowning out the high end, or vice versa. Maybe the mid-range is poking out too much so the track feels boxy or congested. Maybe there’s an instrument too loud or maybe it’s too low. Maybe there’s right stereo field feels too heavy compared to the left. Many ways a track can be unbalanced
Resonance: You may find that specific frequencies resonate too loud, piercing your ear, causing a headache. You generally wanna cut that crap out
Masking: when two tracks occupy a similar frequency range and lose definition/clarity when heard at the same time. A good mix makes room for every track to coexist peacefully and somewhat in its own space
Bad dynamics: say a bass guitar is too loud on some notes, but soft on others. It’s hard to feel the full impact of the bass if it’s nearly mute some moments, or overbearing in other moments.
Clipping: Much like everything else, this can be done for stylistic choices (See the guitar in Pink Matter by Frank for example.) but this is when a track is going past 0dbs, whats standard for all audio systems, so it distorts in a real nasty way.
there are a multitude of ways mixing can be considered “bad” but these are the main ones that come to mind.

AI Carti + AI Nort combo
Based on the current discussions and available information, I don't see strong evidence proving that Playboi Carti's verse on Timeless is AI-generated. While some listeners have pointed out unusual vocal characteristics, Carti is known for using unconventional vocal techniques, distortion, and unique ad-libs, which could contribute to the speculation.
If the verse were AI-generated, it would mark a significant shift in mainstream music production, and I’d expect some acknowledgment from those involved. However, without official confirmation, it’s more likely that Carti intentionally experimented with his vocal delivery rather than relying on AI.
That said, AI-generated music is advancing rapidly, and the industry is becoming more secretive about its use—so I understand why people are questioning it.