Reply
  • Jan 4
    ·
    1 reply
    Oscar Winner

    So we comparing Chris to Leo?

    No, we're comparing Michael Mann to Michael Mann. And I didn't say a bad word about the casting of Heat 2. Hope it's great

  • Jan 4
    ·
    1 reply
    Benny Boy

    No, we're comparing Michael Mann to Michael Mann. And I didn't say a bad word about the casting of Heat 2. Hope it's great

    But you’re nervous about the performances…

  • Jan 4
    ·
    1 reply
    Oscar Winner

    But you’re nervous about the performances…

    No, I'm looking at Michael Mann's filmography and wondering if he can turn back the clock to Heat. Because he hasn't come anywhere close in a long time. And Heat is really, really good

    As I said

  • TheFader

    Even if you believe that Mann hasn’t directed a great performance in 20 years, why are you worried about the performances in a film with a rumored cast of Leonardo DiCaprio, Christian Bale, Stephen Graham, Austin Butler, and more?

    All of these guys are world-class actors

  • Jan 5
    ·
    2 replies
    Benny Boy

    No, I'm looking at Michael Mann's filmography and wondering if he can turn back the clock to Heat. Because he hasn't come anywhere close in a long time. And Heat is really, really good

    As I said

    Miami Vice a classic

  • Jan 5
    ·
    edited

    Penelope Cruz in Ferrari literally got a bunch of awards noms like just a couple years ago lmao

    Imagine thinking Mann can’t still direct great performances. Miami Vice and Blackhat didn’t really demand elite performances. Just dudes lookin cool

  • Jan 5
    ·
    1 reply
    Iridescent

    Miami Vice a classic

    Heat
    Thief
    The Insider
    Collateral
    Manhunter

  • Jan 5
    ·
    1 reply
    Benny Boy

    Heat
    Thief
    The Insider
    Collateral
    Manhunter

    I’d take Miami Vice over all of em besides Heat

    I think his best films are Heat, Public Enemies and Miami Vice

  • Jan 5
    ·
    1 reply
    Iridescent

    I’d take Miami Vice over all of em besides Heat

    I think his best films are Heat, Public Enemies and Miami Vice

    Just watch Refn

  • Jan 5
    ·
    1 reply
    Benny Boy

    Just watch Refn

    mid

  • Jan 5
    ·
    2 replies
    Iridescent

    mid

    Miami Vice is so Refn that you've got to be joking

  • Iridescent

    Miami Vice a classic

  • Jan 5
    ·
    1 reply
    Benny Boy

    Miami Vice is so Refn that you've got to be joking

    Refn is a bad parody of Miami Vice

  • trash thread on the low

  • Jan 5
    ·
    1 reply
    Iridescent

    Refn is a bad parody of Miami Vice

    That's preference but they are objectively in continuity with one another

  • Here's the most classic scene in Miami Vice

  • Jan 5
    ·
    1 reply
    Benny Boy

    That's preference but they are objectively in continuity with one another

    If you look at it from a surface level of approach sure

    It’s like saying Spring Breakers is like Refn

  • Jan 5
    ·
    1 reply
    Iridescent

    If you look at it from a surface level of approach sure

    It’s like saying Spring Breakers is like Refn

    Brother it's Miami Vice (2006) and Refn from Drive onward. The surface is most of the thing!

  • Jan 5
    ·
    1 reply
    Benny Boy

    Brother it's Miami Vice (2006) and Refn from Drive onward. The surface is most of the thing!

    A huge aspect of Mann’s Miami Vice is the digital experimentation and while Refn is influenced by Mann, he’s far more into a slow cinema approach than Mann who ultimately is still doing very genre based fare. Refn films post Drive are closer to Fallen Angels than Miami Vice

  • Jan 5
    ·
    1 reply
    Iridescent

    A huge aspect of Mann’s Miami Vice is the digital experimentation and while Refn is influenced by Mann, he’s far more into a slow cinema approach than Mann who ultimately is still doing very genre based fare. Refn films post Drive are closer to Fallen Angels than Miami Vice

    Saying Refn isn't a genre filmmaker is insane. His last show had vampires and psychics and gangsters and kung fu in it.

    And yeah, Michael Mann likes digital. Refn likes slow cinema. They're both making music videos at the end of the day.

  • Jan 5
    ·
    1 reply

    Mann is a studio filmmaker who understands the DNA of what makes a good studio film and used that to make an anti studio film with Miami Vice

    Refn is an art house filmmaker using genre sensibilities from filmmakers like Tarantino and Mann to ultimately make slow cinema that was informed by arthouse asian filmmakers like Wong kar wai, Tsai Ming luang and Hou Hsaio-Hsien

    It’s actually very different in approach

  • Benny Boy

    Saying Refn isn't a genre filmmaker is insane. His last show had vampires and psychics and gangsters and kung fu in it.

    And yeah, Michael Mann likes digital. Refn likes slow cinema. They're both making music videos at the end of the day.

    His films are arthouse slow cinema first. The genre sensibilities are a feature, not the main component

    Do you think Terence Malick, Eisenstein, Tarkovsky all make music videos too?

  • Jan 5
    ·
    1 reply
    Iridescent

    Mann is a studio filmmaker who understands the DNA of what makes a good studio film and used that to make an anti studio film with Miami Vice

    Refn is an art house filmmaker using genre sensibilities from filmmakers like Tarantino and Mann to ultimately make slow cinema that was informed by arthouse asian filmmakers like Wong kar wai, Tsai Ming luang and Hou Hsaio-Hsien

    It’s actually very different in approach

    Mann made his name in television. Heat was a television movie the first time around. He was doing MTV needle drops. His first brush with the studio system was a botched film he disowned.

  • Jan 5
    ·
    1 reply
    Benny Boy

    Mann made his name in television. Heat was a television movie the first time around. He was doing MTV needle drops. His first brush with the studio system was a botched film he disowned.

    “His first brush with the studio system was a botched film he disowned”

    Oh so he had a similar experience with studios as virtually every director ever

  • Jan 5
    ·
    1 reply
    Iridescent

    “His first brush with the studio system was a botched film he disowned”

    Oh so he had a similar experience with studios as virtually every director ever

    By honing his style with a cop procedural that catered to the MTV generation? No, I don't think so

1
...
15
16
17
...
20