Weeknd made a 80’s dance album and got clowned to death for the sales by Drake Stans but now Drake’s dance album sales are apparently a W. The delusion is next level
dam you like at least 70 years old
1000 years old
biggest second day drops on US spotify for albums that debuted with 20m+ streams:
Honestly, Nevermind - 16.5 million (-49%)
Mr. Morale and The Big Steppers - 28.6 million (-46%)
Certified Lover Boy - 44.5 million (-44%)
The Off-Season - 22.3 million (-42%)
KOD - 20.9 million (-42%)
evermore - 22.2 million (-41%)
Beerbongs & Bentleys - 30 million (-39%)
folklore - 27 million (-39%)
Positions - 15.3 million (-38%)
Legends Never Die - 30.7 million (-36%)
Astroworld - 26 million (-36%)
Man on the Moon III: The Chosen - 16.5 million (-35%)
Harry's House - 24.4 million (-33%)
Lover - 19.2 million (-32%)
After Hours - 16.9 million (-32%)
Culture 2 - 15.1 million (-31%)
Dawn FM - 15.4 million (-30%)
Hollywood's Bleeding - 29.2 million (-26%)
Scorpion - 60.6 million (-25%)
Tha Carter V - 36.1 million (-23%)
Un Verano Sin Ti - 24.7 million (-23%)
thank u, next - 25.8 million (-21%)
SOUR - 23.1 million (-17%)
If it wasn't for Wayne it wouldn't be
HN>DLDT>CLB
HN better than Drake discography except for NWTS and Take Care
There’s nothing more maddening than debating someone who doesn’t know streaming history, doesn’t research streaming trends, and frames their artist’s myopia as virtue. The level of unapologetic conjecture I’ve encountered lately isn’t just frustrating, it’s retrogressive, unprecedented and absolutely terrifying.
Weeknd made a 80’s dance album and got clowned to death for the sales by Drake Stans but now Drake’s dance album sales are apparently a W. The delusion is next level
weeknd fans been tortured all 2022 they not even fighting back no more. sad
There’s nothing more maddening than debating someone who doesn’t know streaming history, doesn’t research streaming trends, and frames their artist’s myopia as virtue. The level of unapologetic conjecture I’ve encountered lately isn’t just frustrating, it’s retrogressive, unprecedented and absolutely terrifying.
Did you just buy a dictionary
weeknd fans been tortured all 2022 they not even fighting back no more. sad
Weeknd and drake were both flying high with after hours and clb. Then they both dropped mini projects lol
There’s nothing more maddening than debating someone who doesn’t know streaming history, doesn’t research streaming trends, and frames their artist’s myopia as virtue. The level of unapologetic conjecture I’ve encountered lately isn’t just frustrating, it’s retrogressive, unprecedented and absolutely terrifying.
Perhaps u should take a long break until your frustrations dissipate, mr we got love
biggest second day drops on US spotify for albums that debuted with 20m+ streams:
Honestly, Nevermind - 16.5 million (-49%)
Mr. Morale and The Big Steppers - 28.6 million (-46%)
Certified Lover Boy - 44.5 million (-44%)
The Off-Season - 22.3 million (-42%)
KOD - 20.9 million (-42%)
evermore - 22.2 million (-41%)
Beerbongs & Bentleys - 30 million (-39%)
folklore - 27 million (-39%)
Positions - 15.3 million (-38%)
Legends Never Die - 30.7 million (-36%)
Astroworld - 26 million (-36%)
Man on the Moon III: The Chosen - 16.5 million (-35%)
Harry's House - 24.4 million (-33%)
Lover - 19.2 million (-32%)
After Hours - 16.9 million (-32%)
Culture 2 - 15.1 million (-31%)
Dawn FM - 15.4 million (-30%)
Hollywood's Bleeding - 29.2 million (-26%)
Scorpion - 60.6 million (-25%)
Tha Carter V - 36.1 million (-23%)
Un Verano Sin Ti - 24.7 million (-23%)
thank u, next - 25.8 million (-21%)
SOUR - 23.1 million (-17%)
Drake still on top
If you can count Drake as a music artist or pop artist before a hiphop artist, just for argument’s sake, Youngboy being the biggest hiphop artist out right now is awesome
Never saw that coming but honestly happy for him
No one give af bout him lmao
He could've left on a high note with a great album but he f***ed it up coming back
There’s nothing more maddening than debating someone who doesn’t know streaming history, doesn’t research streaming trends, and frames their artist’s myopia as virtue. The level of unapologetic conjecture I’ve encountered lately isn’t just frustrating, it’s retrogressive, unprecedented and absolutely terrifying.
hey text me back it’s important
He could've left on a high note with a great album but he f***ed it up coming back
He was lame b4 and he lamer now
There’s nothing more maddening than debating someone who doesn’t know streaming history, doesn’t research streaming trends, and frames their artist’s myopia as virtue. The level of unapologetic conjecture I’ve encountered lately isn’t just frustrating, it’s retrogressive, unprecedented and absolutely terrifying.
Chris Evans so cringe
Chris Evans so cringe
Oh is that Chris Evan's quote on the lightyear fiasco? Lmao