Rooster really won
Hope they make JL Part 2 and 3 off of this.
F*** all that weak s*** in the DCEU lately.
Snyder gon restore the feeling!
Visual Effects producer/supervisor Tamara Watts Kent:
"What this image means to me. In 2019 Zack invited me to his screening room to see his cut of Justice League. It was in black and white and it did exist. It was over 3 hours long, full of previsualization and work in progress effects along with finished visual effects. At times Zack had to clarify what I was looking at. Yet the story kept my attention the entire time. We then had follow up meetings and scrubbed the reels talking about his vision for the film and the visual effects work that would need to be done to see his complete vision on screen. DJ & I put together a budget & schedule for VFX and Zack pitched it.
Nothing like this has ever been done before. We figured it would never happen. Then COVID hit. Zack had a film that was already shot. Post can be done safely at home and the VFX companies needed the work. On April 30th we were surprised and thrilled to hear the film was a go.
It has been the most challenging project I have ever been on. We had 6 months to do 4 hours of effects work. Every shot had to be researched to see if it was a previous Zack final to finish the full frame, or a work in progress shot from the past that could be unarchived and finished, or a brand new shot. The facilities spent over a month pulling shots & assets from their archives while WB pulled assets from theirs.
ZSJL has also been the most fun & rewarding project I have been on. Zack, Debbie & Wes are the best people to work with. They have always treated their crews like family. They are respectful, inspiring, fun & trusting. Zack knows what he wants and is the first to admit if it is not working.
DJ and I were blessed to bring most of our VFX team along. We could not have hit this schedule & delivered Zack’s complete vision without them. They kept the show moving forward and dug up archived material we thought would be impossible to find. This team delivered over 2,500 shots in 7 months! This is unheard of.
I am sad to see this project end, but am so grateful to have the opportunity to be a part of it. I did this for Zack, the Snyder family and DJ, and for the fans that fought for it and deserve to see Zack’s vision. #releasethesyndercut #zacksnyder"
@op IT'S DONE
@op IT'S DONE
New trailer SOON

https://vero.co/zacksnyder/1Wg2-nmTtTzNqwxZ2mkphjJH
Actual views of Iceland rather than that horrid green screen >>>
Hope they make JL Part 2 and 3 off of this.
F*** all that weak s*** in the DCEU lately.
Snyder gon restore the feeling!
Yessir!
Visual Effects producer/supervisor Tamara Watts Kent:
"What this image means to me. In 2019 Zack invited me to his screening room to see his cut of Justice League. It was in black and white and it did exist. It was over 3 hours long, full of previsualization and work in progress effects along with finished visual effects. At times Zack had to clarify what I was looking at. Yet the story kept my attention the entire time. We then had follow up meetings and scrubbed the reels talking about his vision for the film and the visual effects work that would need to be done to see his complete vision on screen. DJ & I put together a budget & schedule for VFX and Zack pitched it.
Nothing like this has ever been done before. We figured it would never happen. Then COVID hit. Zack had a film that was already shot. Post can be done safely at home and the VFX companies needed the work. On April 30th we were surprised and thrilled to hear the film was a go.
It has been the most challenging project I have ever been on. We had 6 months to do 4 hours of effects work. Every shot had to be researched to see if it was a previous Zack final to finish the full frame, or a work in progress shot from the past that could be unarchived and finished, or a brand new shot. The facilities spent over a month pulling shots & assets from their archives while WB pulled assets from theirs.
ZSJL has also been the most fun & rewarding project I have been on. Zack, Debbie & Wes are the best people to work with. They have always treated their crews like family. They are respectful, inspiring, fun & trusting. Zack knows what he wants and is the first to admit if it is not working.
DJ and I were blessed to bring most of our VFX team along. We could not have hit this schedule & delivered Zack’s complete vision without them. They kept the show moving forward and dug up archived material we thought would be impossible to find. This team delivered over 2,500 shots in 7 months! This is unheard of.
I am sad to see this project end, but am so grateful to have the opportunity to be a part of it. I did this for Zack, the Snyder family and DJ, and for the fans that fought for it and deserve to see Zack’s vision. #releasethesyndercut #zacksnyder"
https://www.instagram.com/p/CKpstpujjlC/
Zack has always run a friendly open set n yet ppl really say he's a piece of sh*t. I swear i don't get it
i feel like its a larger statement of a lack of confidence to do it as a series too lol.
like the idea of drawing it out and potentially harming reception by those splits was to keep the attention on HBO Max and drive subs. Don't need that anymore when you have Godzilla v Kong coming the week after with massive hype
no tampering with cuts or sequencing. just give us the film like fans asked for
It was WB as usual interfering. Changing the date of gvk to the same month that zsjl is in. Have deflection articles written. Didnt support the posters and release date announcement. They are so f*cking petty and can't admit they messed up
This better not be trash like the first one or like the new Wonder Woman movie
It literally won't be. The screens and trailer have already by a large margin been better better than the theatrical thats been released.
Just facts
Now we got an official release date and anticipation of a new trailer and people are moving goal posts making other criticisms of it before it has even dropped
We won
Been that way since BVS.
We really did it. Rent free
Ummm this isn't exactly true tho he only shot 4 minutes to finish tying things not because it needed to become a series. He shot small stuff with most of the case and Leto for what might be a Knightmare sequence.
the film still needed the money because they needed to render affects and finish out the raw footage they had, most of which probably wasn't done. Snyder still had 6+ months of work left on the film when he originally left there's a lot of effect work that needs money. Like he always said it was an option on how to do it and just went with the full film.
In the end its the fans who made this happen so they should just get their full movie. It doesn't need to be a "sell"
Speaking to ComicBook Debate, Snyder clarified he only added "two bits" to his cut of Justice League, including one that he "had really sorta hoped to shoot in post-production but never got the chance to" before he left the project in 2017 and was replaced by Joss Whedon. The other one is "that scene with Jared Leto," in which Leto reprises his role as The Joker from Suicide Squad. According to Snyder, "The rest of the four hours of the movie are really just what I shot."
PREACH
I always assumed the re shoots were so that this film represents Zack's true intent for the story. Seems like even when he was involved back then, the studio wouldn't let him do certain things (old steppenwolf design, violent atlantean scene with step-wolf, etc) so he took that opportunity to make it more true to what he envisioned..
...plus they might've shot some more stuff just in case this flick brings this universe back to cannon and they continue it
He wanted the production crew to get paid. He didn't take a dime from it. Those 4 minutes don't even touch the bulk of that 70 mil
That’s what happen when you do not have a Feige type leader.
Psh. The entire leadership at WB needs to go. They are Terrible at what they Do. Literally cowards that make consistent terrible decisions