father is the depressing kind of nostalgic
father is one of the best songs i've heard in a while lol idk why that father / bother flip hits so hard
father is one of the best songs i've heard in a while lol idk why that father / bother flip hits so hard
right in the feels
father is the depressing kind of nostalgic
Damn near the whole album kinda gives that feeling for me
The whole album paints a picture of him on the road to grief, the road to fully accepting his sister’s death, basically all of it following the theme of the first track, a lot of the content showing him running, the chaos mentally of all the s*** he said in the first song (the 3 track run with father and issues of trust being the most focused one on his father) until the last like 3 where he’s finally in a state of feeling, last song is basically a funeral song for his sister of accepting her death “we laid you down low when we said goodbye, 3x the bar Dave says about your sister would be proud looking down on you being so important
At the same time throughout with the sounds he uses, the visuals, the language, the tags and especially the references and interpolations all draw on the history of black British music from rap to rnb to afrobeat to rock right even the titles
I think most ppl aren’t catching this in any of the discussion around this but I think it’s 2 beautiful personal ideas that r executed so well, all making a kinda portrait of the black British experience and the heritage of music produced by it.
The idea of “it doesn’t expand on the idea of heritage enough lyrically” kinda missed the whole point. He pays homage sonically and through interpolation etc it’s more of an aesthetic and sonic social layer, the lyrical layer is incredibly personal.
Just reviewed it
!https://youtu.be/lv1qZQkBxz0?si=KwHTE4h2YlS2vnQp"06 wayne rooney" had you moving like that one shorty from tiktok who can "hear every part of the music"
This and Tyler’s albums being short is great because I’ve been able to go back and forth without feeling like I’m missing the other
second listen, '06 wayne rooney and big time forward the only ones i'm not really feelin. dope tape
sos is crazyyyy
https://www.nytimes.com/2025/07/23/arts/music/jim-legxacy-black-british-music.html
big up jon caramanica
second listen, '06 wayne rooney and big time forward the only ones i'm not really feelin. dope tape
sos is crazyyyy
nah those are great too
second listen, '06 wayne rooney and big time forward the only ones i'm not really feelin. dope tape
sos is crazyyyy
Agreed. '06 wayne rooney gave me a similar feeling SlowThai did with Feel Good.
Feel Good felt more natural with SlowThai's voice, but both a felt a bit undeveloped and out of their element.
I went back and tapped into HNPM and that is a dope project fs but I need to get into to it more. I kept more songs off this. But this is also the first project from him so that could be it
The whole album paints a picture of him on the road to grief, the road to fully accepting his sister’s death, basically all of it following the theme of the first track, a lot of the content showing him running, the chaos mentally of all the s*** he said in the first song (the 3 track run with father and issues of trust being the most focused one on his father) until the last like 3 where he’s finally in a state of feeling, last song is basically a funeral song for his sister of accepting her death “we laid you down low when we said goodbye, 3x the bar Dave says about your sister would be proud looking down on you being so important
At the same time throughout with the sounds he uses, the visuals, the language, the tags and especially the references and interpolations all draw on the history of black British music from rap to rnb to afrobeat to rock right even the titles
I think most ppl aren’t catching this in any of the discussion around this but I think it’s 2 beautiful personal ideas that r executed so well, all making a kinda portrait of the black British experience and the heritage of music produced by it.
The idea of “it doesn’t expand on the idea of heritage enough lyrically” kinda missed the whole point. He pays homage sonically and through interpolation etc it’s more of an aesthetic and sonic social layer, the lyrical layer is incredibly personal.
beautifully articulated my friend , whole heartedly agree with your a***ysis 🫡
AOTY
https://www.nytimes.com/2025/07/23/arts/music/jim-legxacy-black-british-music.html
Is this supposed to be clipping and scratching all across the first couple of tracks? Think my copy is f***ed up
not worth making a sep thread for this lol