yesac

7y

Ye really bringing together the greatest producers and writers for Jesus

yesac

7y

Ye really bringing together the greatest producers and writers for Jesus

user

7y

first time these two have interacted in 15 years and its for this s***

lol do u know how crazy kanye kendrick woulda been in 2011-2012

dre - kanye in 05-07

dre kanye hov

smh

user

7y

first time these two have interacted in 15 years and its for this s***

lol do u know how crazy kanye kendrick woulda been in 2011-2012

dre - kanye in 05-07

dre kanye hov

smh

yeezus country

7y

this is crazy era

Goo

7y

Writers?

Goo

7y

Dr. Dre by Kanye West

Do hip-hop producers hold Dr. Dre in high esteem? It's like asking a Christian if he believes Christ died for his sins. Dre has a whole coast on his back. He discovered Snoop — one of the two greatest living rappers, along with Jay-Z — and signed Eminem, 50 Cent and the Game. He takes artists with great potential and makes them even better. I wonder where I'd be right now if Dre had discovered me.

I remember hearing Dre's music before I really knew who he was. I had a tape of Eazy-E's Eazy-Duz-It when I was 11 years old (until my mother found out it had curses on it and confiscated it). I didn't know what "production" was back then, but I knew I loved the music. The more I learned about producing hip-hop, the more I respected what Dre was doing. Think about how on old N.W.A records the beat would change four or five times in a single song. A million people can program beats, but can they put together an entire album like it's a movie?

When I was learning to produce, working in a home studio in my mother's crib, I tried to make beats that sounded exactly like Timbaland's, DJ Premier's, Pete Rock's and, especially, Dr. Dre's. Dre productions like Tupac's "California Love" were just so far beyond what I was doing that I couldn't even comprehend what was going on. I had no idea how to get to that point, how to layer all those instruments. The Chronic is still the hip-hop equivalent of Stevie Wonder's Songs in the Key of Life. It's the benchmark you measure your album against if you're serious. But it's "Xxplosive," off 2001, that I got my entire sound from — if you listen to the track, it's got a soul beat, but it's done with those heavy Dre drums. Listen to "This Can't Be Life," a track I did for Jay-Z's Dynasty album, and then listen to "Xxplosive." It's a direct bite.

I first met Dre in December of 2003. He asked me to produce a track for the Game. At first I was star-struck, but within 30 minutes I was begging him to mix my next album. He's the definition of a true talent: Dre feels like God placed him here to make music, and no matter what forces are aligned against him, he always ends up on the mountaintop.

yesac

7y

It's what he said in his interview with Joe Osteen
I think he's referring to the Boyd sisters (Victory wrote God Is and Closed on Sunday)

hot pancakes

7y

Innnn

yeezus country

7y

this is crazy era

Goo

7y

Dr. Dre by Kanye West

Do hip-hop producers hold Dr. Dre in high esteem? It's like asking a Christian if he believes Christ died for his sins. Dre has a whole coast on his back. He discovered Snoop — one of the two greatest living rappers, along with Jay-Z — and signed Eminem, 50 Cent and the Game. He takes artists with great potential and makes them even better. I wonder where I'd be right now if Dre had discovered me.

I remember hearing Dre's music before I really knew who he was. I had a tape of Eazy-E's Eazy-Duz-It when I was 11 years old (until my mother found out it had curses on it and confiscated it). I didn't know what "production" was back then, but I knew I loved the music. The more I learned about producing hip-hop, the more I respected what Dre was doing. Think about how on old N.W.A records the beat would change four or five times in a single song. A million people can program beats, but can they put together an entire album like it's a movie?

When I was learning to produce, working in a home studio in my mother's crib, I tried to make beats that sounded exactly like Timbaland's, DJ Premier's, Pete Rock's and, especially, Dr. Dre's. Dre productions like Tupac's "California Love" were just so far beyond what I was doing that I couldn't even comprehend what was going on. I had no idea how to get to that point, how to layer all those instruments. The Chronic is still the hip-hop equivalent of Stevie Wonder's Songs in the Key of Life. It's the benchmark you measure your album against if you're serious. But it's "Xxplosive," off 2001, that I got my entire sound from — if you listen to the track, it's got a soul beat, but it's done with those heavy Dre drums. Listen to "This Can't Be Life," a track I did for Jay-Z's Dynasty album, and then listen to "Xxplosive." It's a direct bite.

I first met Dre in December of 2003. He asked me to produce a track for the Game. At first I was star-struck, but within 30 minutes I was begging him to mix my next album. He's the definition of a true talent: Dre feels like God placed him here to make music, and no matter what forces are aligned against him, he always ends up on the mountaintop.

Goo

7y

Dr. Dre by Kanye West

Do hip-hop producers hold Dr. Dre in high esteem? It's like asking a Christian if he believes Christ died for his sins. Dre has a whole coast on his back. He discovered Snoop — one of the two greatest living rappers, along with Jay-Z — and signed Eminem, 50 Cent and the Game. He takes artists with great potential and makes them even better. I wonder where I'd be right now if Dre had discovered me.

I remember hearing Dre's music before I really knew who he was. I had a tape of Eazy-E's Eazy-Duz-It when I was 11 years old (until my mother found out it had curses on it and confiscated it). I didn't know what "production" was back then, but I knew I loved the music. The more I learned about producing hip-hop, the more I respected what Dre was doing. Think about how on old N.W.A records the beat would change four or five times in a single song. A million people can program beats, but can they put together an entire album like it's a movie?

When I was learning to produce, working in a home studio in my mother's crib, I tried to make beats that sounded exactly like Timbaland's, DJ Premier's, Pete Rock's and, especially, Dr. Dre's. Dre productions like Tupac's "California Love" were just so far beyond what I was doing that I couldn't even comprehend what was going on. I had no idea how to get to that point, how to layer all those instruments. The Chronic is still the hip-hop equivalent of Stevie Wonder's Songs in the Key of Life. It's the benchmark you measure your album against if you're serious. But it's "Xxplosive," off 2001, that I got my entire sound from — if you listen to the track, it's got a soul beat, but it's done with those heavy Dre drums. Listen to "This Can't Be Life," a track I did for Jay-Z's Dynasty album, and then listen to "Xxplosive." It's a direct bite.

I first met Dre in December of 2003. He asked me to produce a track for the Game. At first I was star-struck, but within 30 minutes I was begging him to mix my next album. He's the definition of a true talent: Dre feels like God placed him here to make music, and no matter what forces are aligned against him, he always ends up on the mountaintop.

Goo

7y

wow

I've missed that interview btw (was prob at work), give me some more info about it bro