Cause it’s easier than just this “THE NUMBERS MASON EHST DO THEY MEAN?” face ass tracklist
bruh his youtube channel says Donald Glover now... or did it always? I don't think so
nvm it was
always been like that
I think it clicked on my due to my emotional situation
I enjoyed Awaken My Love a lot more but never really returned to it
bruh his youtube channel says Donald Glover now... or did it always? I don't think so
nvm it was
It was always Donald Glover. At least since like This is America.
Mixing wise, they're fully mixed and they have additional instrumental elements
I've listened to the album 12 times I'll be able to tell if it's actually different
But you're typing random names no one knows tf goin on
they are not called like that stop flexin
but on other note have a good day boo and let's appreciate that new s*** together
I've listened to the album 12 times I'll be able to tell if it's actually different
Yeah listen
there are a bunch of changes
THIS GUITAR ON VIBRATE MAN
EDITORS’ NOTES
There's never been any effective way to prepare for a Childish Gambino project from Donald Glover; over a decade-long discography, they've oscillated between quirky raps, electro-pop, and strands of funk and R&B. This remains true with his new release, 3.15.20, which he also has released as a single-track opus, which may explain the decision to have most of the individual tracks here titled as timestamps. That mischievous, mercurial nature carries over to the music itself—he explores the darker hues of the outré, playing with genre as much he does disjointed sound effects—atmospheric noise, glitches, distortion, uncanny Auto-Tune. The soulful "24.19" and the optimistic closer "53.49" tread worn but welcome territory, while the foreboding futurism of "Time" and the sensory overload of "32.22" don't land like songs so much as cinematic collages brimming with ideas. Unsurprisingly, the one familiar track, "Feels Like Summer" (titled here as "42.26"), which was officially released in July 2018, is also the album's most accessible. 3.15.20 is a logical progression from his experimental inclinations of the past that latches onto some of his most eccentric impulses and thrusts them into overdrive. He basks in the spaces between restraint and rebellion, genius and madness, forcing listeners to find the freedom in chaos. The axiom "expect the unexpected" doesn't quite capture what Gambino has put together here—perhaps, this time, it's better not to expect anything at all.
