Fiddy

4y

they said they never found his body. i don’t remember but was there another guy in a goofy hat in New Jazz or was it all Al?

Fiddy

4y

they said they never found his body. i don’t remember but was there another guy in a goofy hat in New Jazz or was it all Al?

Oscar Winner

4y

It was Al

Al is Thomas in another multiverse

mr ramrod

4y

brilliant post on this episode i found from another board

"This episode was partly a euphemism for Donald to describe himself and how Atlanta was created

Donald grew up being made fun of for “acting white”. He even had a favorite cousin who he was close too that used to protect him from being bullied by the other kids. This mirrors Washington’s cousin talking about how THEY grew up.

Donald out of College was recruited by Tina Fey as a writer for 30 Rock, through a DIVERSITY PROGRAM. This mirrors Washington getting into Disney through the same manner.

Donald assembled an all black writers room for Atlanta, to create the most authentically black show on television. This mirrors Washington recruiting Frank Rolls, who at the time was a low-level employee, to lead animator on Goofy Movie. Donald recruited his brother Stephen, and other black people who either had NO writing experience or were working as assistants & PA’s, and made them full time writers for Atlanta’s first season.

Donald “Trojan Horsed” the pitch for Atlanta. He sold FX on the idea that the show was going to be one thing, while going behind their backs and making it something deeper & bolder. This mirrors Washington wanting to use a Goofy Movie to tell a deeper story about black people in America.

Donald was told by executives at FX what the characters could and couldn’t say/do. Mainly that only the white character Dave in the pilot could say “nikka”. Donald hired Paul Sims as an executive producer as a “white delegate” to convince the executives at FX to allow Donald the freedom to allow the black characters to speak authentically. This mirrors Washington having to do things he didn’t want like adding Mickey and Big Foot to the film."

mr ramrod

4y

brilliant post on this episode i found from another board

"This episode was partly a euphemism for Donald to describe himself and how Atlanta was created

Donald grew up being made fun of for “acting white”. He even had a favorite cousin who he was close too that used to protect him from being bullied by the other kids. This mirrors Washington’s cousin talking about how THEY grew up.

Donald out of College was recruited by Tina Fey as a writer for 30 Rock, through a DIVERSITY PROGRAM. This mirrors Washington getting into Disney through the same manner.

Donald assembled an all black writers room for Atlanta, to create the most authentically black show on television. This mirrors Washington recruiting Frank Rolls, who at the time was a low-level employee, to lead animator on Goofy Movie. Donald recruited his brother Stephen, and other black people who either had NO writing experience or were working as assistants & PA’s, and made them full time writers for Atlanta’s first season.

Donald “Trojan Horsed” the pitch for Atlanta. He sold FX on the idea that the show was going to be one thing, while going behind their backs and making it something deeper & bolder. This mirrors Washington wanting to use a Goofy Movie to tell a deeper story about black people in America.

Donald was told by executives at FX what the characters could and couldn’t say/do. Mainly that only the white character Dave in the pilot could say “nikka”. Donald hired Paul Sims as an executive producer as a “white delegate” to convince the executives at FX to allow Donald the freedom to allow the black characters to speak authentically. This mirrors Washington having to do things he didn’t want like adding Mickey and Big Foot to the film."

mr ramrod

4y

brilliant post on this episode i found from another board

"This episode was partly a euphemism for Donald to describe himself and how Atlanta was created

Donald grew up being made fun of for “acting white”. He even had a favorite cousin who he was close too that used to protect him from being bullied by the other kids. This mirrors Washington’s cousin talking about how THEY grew up.

Donald out of College was recruited by Tina Fey as a writer for 30 Rock, through a DIVERSITY PROGRAM. This mirrors Washington getting into Disney through the same manner.

Donald assembled an all black writers room for Atlanta, to create the most authentically black show on television. This mirrors Washington recruiting Frank Rolls, who at the time was a low-level employee, to lead animator on Goofy Movie. Donald recruited his brother Stephen, and other black people who either had NO writing experience or were working as assistants & PA’s, and made them full time writers for Atlanta’s first season.

Donald “Trojan Horsed” the pitch for Atlanta. He sold FX on the idea that the show was going to be one thing, while going behind their backs and making it something deeper & bolder. This mirrors Washington wanting to use a Goofy Movie to tell a deeper story about black people in America.

Donald was told by executives at FX what the characters could and couldn’t say/do. Mainly that only the white character Dave in the pilot could say “nikka”. Donald hired Paul Sims as an executive producer as a “white delegate” to convince the executives at FX to allow Donald the freedom to allow the black characters to speak authentically. This mirrors Washington having to do things he didn’t want like adding Mickey and Big Foot to the film."

internet buddy

4y

Which board?

internet buddy

4y

Which board?

mr ramrod

4y

brilliant post on this episode i found from another board

"This episode was partly a euphemism for Donald to describe himself and how Atlanta was created

Donald grew up being made fun of for “acting white”. He even had a favorite cousin who he was close too that used to protect him from being bullied by the other kids. This mirrors Washington’s cousin talking about how THEY grew up.

Donald out of College was recruited by Tina Fey as a writer for 30 Rock, through a DIVERSITY PROGRAM. This mirrors Washington getting into Disney through the same manner.

Donald assembled an all black writers room for Atlanta, to create the most authentically black show on television. This mirrors Washington recruiting Frank Rolls, who at the time was a low-level employee, to lead animator on Goofy Movie. Donald recruited his brother Stephen, and other black people who either had NO writing experience or were working as assistants & PA’s, and made them full time writers for Atlanta’s first season.

Donald “Trojan Horsed” the pitch for Atlanta. He sold FX on the idea that the show was going to be one thing, while going behind their backs and making it something deeper & bolder. This mirrors Washington wanting to use a Goofy Movie to tell a deeper story about black people in America.

Donald was told by executives at FX what the characters could and couldn’t say/do. Mainly that only the white character Dave in the pilot could say “nikka”. Donald hired Paul Sims as an executive producer as a “white delegate” to convince the executives at FX to allow Donald the freedom to allow the black characters to speak authentically. This mirrors Washington having to do things he didn’t want like adding Mickey and Big Foot to the film."

A New Impression

4y

this shoulda been in season 3

internet buddy

4y

Nah this hits hard after last week with van

A New Impression

4y

woulda hit even harder after als d*** episode last season

BlueDream

4y

This should be the episode that Donald submits to the Emmy's imo

Ralo

4y

Even though I liked this episode, I wish donald just made a separate show for these type of episodes while keeping Atlanta centered around the main characters

Ralo

4y

Did I say something wrong?