Dunkey is the new Scaruffi
Goddamn that DankPods YT channel has really got me playing hour long edits of this song while working:

Yeah.... post 2012/2013 (???) his reviews have become pretty meh. I still look occasionally to see if there's some cool stuff I'd like, but the peak of his work/recs is 80s/90s and where I probably have my taste most adjacent to his ratings (loosely). His Yeezus review is still one of the worst reviews I've read and was a clear indicator on his agenda at that point. He'll praise artists for "borrowing" from lesser known artists and call them onnovative as well, but will discredit an artist who derives from more well-known artists. All in an attempt to keep up with his own brand of cynicism. Don't think there's a single 8+ album from the last 6-7 years that I've agreed with him on outside of Julia Holter's Aviary. But it's not like her album was uber obscure and I've always enjoyed her music pre-Scaruffi
Tbh scaruffi's scores/rankings haven't held any value to me for a while now. I mean the love for his music pages definitely began with an unavoidable influence over my own rankings/taste, like any other group's infatuation with notable ranked lists — like RYM for the self-identified music nerds, Rolling Stone's top 500 for boomers, or Billboard charts for Drake and Adele stans.
For the past few years i've still really enjoyed the albums and artists his site exposed me to, and still rank many of them among my favorites, but I've since changed my own taste and opinions on his. A lot of his artist pages that i used to think of as flawless, i now very much disagree with, even though i still adore a lot of the artists.
His writing (more accurately, his interns/superfans' writing) has nosedived since the first half of the 2010s — and I also don't find as much value in a lot of his more detailed, self-written stuff as I once did. In the rare times I go back on his site now and read an old page I used to love, it's frequently clear to me that the most valuable thing I find in them comes from his references to other similar/obscure artists, and little historical facts or events that went overlooked. His artist pages are really like the ultimate version of Pandora Radio, and being able to use that at the expense of glorifying his elitism (and cringing at that later on) isn't a bad trade.
His film section used to be something i browsed a lot and thought highly of too, but that was the first thing on his site I did a 180 on a good while ago. That also probaly helped a lot in changing my perspective on his music scores and rankings a lot too.
I still love his extremely "high standards" scoring system, and still think its super refreshing since the systems used in popular music journalism are still sprinting headlong in the opposite direction.
And i'm never gonna act as if I don't think albums such as The Good Son, Down Colorful Hill, Perfect from Now On, Morphine's discog, VU&N and WL/WH, etc... aren't some of the greatest albums ever made. But nowadays I can say that I don't enjoy those (or tons of other) albums/artist because of the scores Scaruffi gave them — but I do enjoy them because of Scaruffi.
And i dont think it'd be a stretch to say @Aruji or @Galaxy have similar feelings. You're definitely right about Scaruffu's spectre still looming large. But we all grown up now. We went from having the cool uncle who showed us a bunch of albums that we thought were the best simply because our cool uncle liked them — to loving a bunch of music that our cranky, off-their-rocker uncle showed us back when we thought he was cool.
This concludes another classic self-indulgent Rasie essay post that nobody asked for at 2:30 AM
yeah being a bit older and not getting internet till later than most i already had stacks of books and a pretty well formed taste of my own when you guys showed me scaruffi so i was just like
who is this blasphemer
no way i was adopting that worldview
f***ing around on a keyboard that my roommate is letting me use. It's kinda fun, learning some super beginner songs. Also fun to f*** around on and make purposefully bad sounds with different instrument settings but it would be cool to get better
Dunkey is the new Scaruffi
dunkey transcends any label or comparison. long live dunkey
f***ing around on a keyboard that my roommate is letting me use. It's kinda fun, learning some super beginner songs. Also fun to f*** around on and make purposefully bad sounds with different instrument settings but it would be cool to get better
i an play happy birthday lets go babyyyy
i now have 3 unrelated songs titled "Rattlesnake Shake" in my library
i now have 3 unrelated songs titled "Rattlesnake Shake" in my library
is one of them grateful dead
Yeah.... post 2012/2013 (???) his reviews have become pretty meh. I still look occasionally to see if there's some cool stuff I'd like, but the peak of his work/recs is 80s/90s and where I probably have my taste most adjacent to his ratings (loosely). His Yeezus review is still one of the worst reviews I've read and was a clear indicator on his agenda at that point. He'll praise artists for "borrowing" from lesser known artists and call them onnovative as well, but will discredit an artist who derives from more well-known artists. All in an attempt to keep up with his own brand of cynicism. Don't think there's a single 8+ album from the last 6-7 years that I've agreed with him on outside of Julia Holter's Aviary. But it's not like her album was uber obscure and I've always enjoyed her music pre-Scaruffi
Credit where credit is due: his Yeezus review is awful, and yet it still doesn't mention Death Grips a single time. That instantly makes it better than a lot of other negative reviews of it
is one of them grateful dead
Proud owner of a library that has zero grateful dead songs
is one of them grateful dead
no
Proud owner of a library that has zero grateful dead songs
i have 8 as of last week and you just reminded im supposed to listen to one of them tonight cause i microdosed lsd for my Dune watch
wasnt quite worth it so this Dark Star listen better be good @RVI
Proud owner of a library that has zero grateful dead songs
scaruffi would be ashamed
i have 8 as of last week and you just reminded im supposed to listen to one of them tonight cause i microdosed lsd for my Dune watch
wasnt quite worth it so this Dark Star listen better be good @RVI
my geezer eyes cant tell what im seeing here

yeah its hard to see
scaruffi would be ashamed
So would my brother. Dude has so much f***ing random merch and trinkets of those bears. He had like 17 of them as bumper stickers on his truck in high school too
this motley crue dr. feelgood album absolutely slapping
So would my brother. Dude has so much f***ing random merch and trinkets of those bears. He had like 17 of them as bumper stickers on his truck in high school too
bears?
something about the grateful dead shows i havent heard about
i have 8 as of last week and you just reminded im supposed to listen to one of them tonight cause i microdosed lsd for my Dune watch
wasnt quite worth it so this Dark Star listen better be good @RVI
I will never have my library tainted by the likes of Grateful Dead, Phish, or Widespread Panic
Jerry Garcia is cool tho
this motley crue dr. feelgood album absolutely slapping
im trying to find out which motley song was in Mid 90s but i cant
So would my brother. Dude has so much f***ing random merch and trinkets of those bears. He had like 17 of them as bumper stickers on his truck in high school too
Contrary to their image of junkies and misfits, the Grateful Dead were one of the most erudite groups of all times, aware of the atonal compositions of the European avantgarde as well of the modal improvisation of free-jazz as well as the rhythms of other cultures. They managed to transform guitar feedback and odd meters into the rock equivalent of chamber instruments. The infinite ascending and descending scales of Jerry Garcia are among the most titanic enterprises ever attempted by rock music.
that last sentence is pretty wild lol