I HATE WHEN DRAKE RAPS
DRAKE SINGS TOO MUCH
DRAKE IS A POP ARTIST
DRAKE TOOK AN L
DRAKE DIDN’T START FROM THE BOTTOM
DRAKE IS FINISHED
I LIKE DRAKE’S OLDER STUFF
DRAKE MAKES MUSIC FOR GIRLS
DRAKE THINKS HE’S JAMAICAN
DRAKE IS AN ACTOR
DRAKE CHANGED
ANYBODY ELSE > DRAKE...
YEAH YEAH WE KNOW
Can we all agree FATD was Drakes worst album (by quite a margin)?
wttba realistically. beats and flows just a relic and hasnt aged well
I saw Drake at a grocery store in Los Angeles yesterday. I told him how cool it was to meet him in person, but I didn’t want to be a douche and bother him and ask him for photos or anything. He said, “Oh, like you’re doing now?” I was taken aback, and all I could say was “Huh?” but he kept cutting me off and going “huh? huh? huh?” and closing his hand shut in front of my face. I walked away and continued with my shopping, and I heard him chuckle as I walked off. When I came to pay for my stuff up front I saw him trying to walk out the doors with like fifteen Milky Ways in his hands without paying.
The girl at the counter was very nice about it and professional, and was like “Sir, you need to pay for those first.” At first he kept pretending to be tired and not hear her, but eventually turned back around and brought them to the counter.
When she took one of the bars and started scanning it multiple times, he stopped her and told her to scan them each individually “to prevent any electrical infetterence,” and then turned around and winked at me. I don’t even think that’s a word. After she scanned each bar and put them in a bag and started to say the price, he kept interrupting her by yawning really loudly.
Not enough copypasta ITT
Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
His worst album is Scorpion
idk fam
I view an album as being better or worse than others not only as a singular listening experience but how many songs I really love off that album
Scorpion is an overlong album to some, but he has a really good ratio of slaps to duds on there to me
If I had to delete any album of Drake's, HNVM to me gets the boot because I wanna hear bars from Drake, or at least great lyrics. the writing is lacking fr. the mood and production doesn't carry the album enough for me to ignore that. Peak songs like Overdrive, Sticky, Liability, and Flight's Booked aren't enough to push it over Scorpion because the rest of the boring tracks drag it down to me.
I think people saying HNVM is a classic don't understand how much better I feel like that album could've been if he really locked in and took a year plus to develop the ideas on there
Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
J hus feature
Yet again, it was another late, sleepless night in Atlanta. The studio was packed, yet intimate all at the same time. Warm amber lights washed over exotic leather furniture, creating a dimly lit sonic oasis. A sweet aroma of weed smoke clouded the air, while vanilla scented candles were strategically placed around the room. The mood developed into a haze of relaxation. As engineers and producers methodically worked the mixing boards, Future and the rest of his entourage nodded along to a rough take of a track that would later be called "Diamonds Dancing." Many individuals in the studio danced along while producers ran the track back, but there stood Drake in a dark corner, dissecting every piece of "Diamonds Dancing" with surgical precision. The track stopped playing, and Drake stepped from the shadows. He didn't speak much, but when he did, people listened.
"I'm going back in the booth, play that outro back."
Puzzled, the engineer began playing the outro instrumental back, not questioning Drake's demands. The room fell quiet as people began to observe. As the outro began to play, Drake put on a pair of monitor headphones, rubbed his beard and began to take a drink of a dark, murky substance. Closing his eyes, Drake began to flow freely.
"You doin' me dirty, you know. How we let it get like this I don't know. But that * can't save your soul, nah." Producers and entourage members in the studio began to look around the room to see if others were witnessing what was happening. Drake continued crooning into the microphone, while the mood became even darker in the studio.
"Doing me dirty, you doing me dirty. Haven't even heard from you. How can you live with yourself? Haven't even heard from you. How can you live with yourself? Ungrateful, ungrateful." The Engineer looked over to Future with concern. The engineer whispered, "should we stop him?" Future then put up one finger, as to silence the engineer while shaking his head, not taking his eyes off of Drake.
"Your momma be ashamed of you. I haven't even heard from you, not a single word from you, Ungrateful. I'm too good for you, too good for you. You should go back to him, perfect match for you, unstable." Candles in the studio began to flicker and die out, one by one, as if a spirit swept throughout the room.
"Doing me dirty. You're making me nervous. I haven't even heard from you. You look drained, you look exhausted, girl them late nights ain't good for you. Really starting to show on you. Don't hit me up when it's good for you. Ungrateful." By now, everyone had stopped what they were doing, all attention was focused on the darkened silhouette in the recording booth. Finishing up his final thoughts, Drake hung up the headphones, took another sip of muddy water, and crept out of the recording booth.
As he came back into the studio, all eyes followed his every movement. Drake retreated back to his shadowed corner, where he leaned against the wall with his fingers interlocked and pressed against his lips, as if in deep thought. The silence of the room created an uneasy tension. The uneasiness built more and more, as studio members waited for him to speak. Finally, he broke the silence.
"Play it back."
I HATE WHEN DRAKE RAPS
DRAKE SINGS TOO MUCH
DRAKE IS A POP ARTIST
DRAKE TOOK AN L
DRAKE DIDN’T START FROM THE BOTTOM
DRAKE IS FINISHED
I LIKE DRAKE’S OLDER STUFF
DRAKE MAKES MUSIC FOR GIRLS
DRAKE THINKS HE’S JAMAICAN
DRAKE IS AN ACTOR
DRAKE CHANGED
ANYBODY ELSE > DRAKE...
YEAH YEAH WE KNOW
MY KING GOING SILENT BEFORE THE DROP.
HE WAS POSTING ANIME T*** BEFORE FATD DROP.
About to make some regrettable decisions in the spirit of the szn, so yeah, great
How bout you
Trying to watch the Mavs beat Miami but I’m sleepy and feel exhausted
MY KING GOING SILENT BEFORE THE DROP.
HE WAS POSTING ANIME T*** BEFORE FATD DROP.
Her loss*
Hopefully it doesn’t take them 6 months to drop it
Lmao fr them chopstars boys be slow as s*** sometimes
idk fam
I view an album as being better or worse than others not only as a singular listening experience but how many songs I really love off that album
Scorpion is an overlong album to some, but he has a really good ratio of slaps to duds on there to me
If I had to delete any album of Drake's, HNVM to me gets the boot because I wanna hear bars from Drake, or at least great lyrics. the writing is lacking fr. the mood and production doesn't carry the album enough for me to ignore that. Peak songs like Overdrive, Sticky, Liability, and Flight's Booked aren't enough to push it over Scorpion because the rest of the boring tracks drag it down to me.
I think people saying HNVM is a classic don't understand how much better I feel like that album could've been if he really locked in and took a year plus to develop the ideas on there
scorpion is actual dogwater
hnvm is a pristine classic
Fake Drake Stan doesn’t even know what album rollout Drake posted hentai on the timeline smh
Thats crazy because it’s the night before $$$4U drops and the air in Toronto is biting like a love-hate affair. The snow’s coming down, soft but heavy, blanketing the streets in this tranquil, almost too calm way. But there’s something in the air—something electric, like the anticipation of a kiss that never quite happens, but you're feeling it.
This album is about to hit like that first cold breeze on your neck when you're walking through the city—sharp, but making you feel alive. The streets are quiet, but ground level? You can almost feel the tension bubbling up from below, something deep underfoot. It’s like the city itself knows what’s coming.
Thats crazy because it’s the night before $$$4U drops and the air in Toronto is biting like a love-hate affair. The snow’s coming down, soft but heavy, blanketing the streets in this tranquil, almost too calm way. But there’s something in the air—something electric, like the anticipation of a kiss that never quite happens, but you're feeling it.
This album is about to hit like that first cold breeze on your neck when you're walking through the city—sharp, but making you feel alive. The streets are quiet, but ground level? You can almost feel the tension bubbling up from below, something deep underfoot. It’s like the city itself knows what’s coming.
Drakes worst album is always his latest one