I just cant get over the fact that this nigga parading his son around everywhere now
Pushaâs the only reason this kid has a father in his life thats crazy
Just finished listening to âRich Baby Daddyâ this is the nigga yâall cape for?
Crazy right?
I agree. What type of production and features you lookin for on it?
couldnât label it exactly. just to work with some outside people and notable people in the game. pierre, metro, etc etc. i sound super hype beast rn, but considering coleâs never really leaned into other artists for his own projects, i think it would be a nice bow tie to his career if he really does call it after that. bring in all the features, drake trav etc, all the producers, metro, pierre, etc, yet still deliver his clinical verses as always and still standing out as the highlight of his own work. if that makes any sense lol
I just cant get over the fact that this nigga parading his son around everywhere now
Pushaâs the only reason this kid has a father in his life thats crazy
Wish pusha came around your mother too
Just finished listening to âRich Baby Daddyâ this is the nigga yâall cape for?
â8am in Charlotteâ drake is the only drake i care for atp
Brother it is three in the afternoon on a Friday if you are in the club right now you are either a stripper, a bouncer, a d*** dealer, or a s***addict
Some of us live in different countries
Just finished listening to âRich Baby Daddyâ this is the nigga yâall cape for?
i'm there now ayyye
SHAKE THAT ASS B**** HANDS ON YA KNEES
Are you seriously downplaying the fact that the biggest rapper ever released a surprise house album?
There are like two house songs on that album
Earl is younger than Drake.. make it make sense
And debuted after him
That said FATD is an enjoyable record
Wish pusha came around your mother too
i wish he did too maybe heâd have better luck with her than pops did
Are you seriously downplaying the fact that the biggest rapper ever released a surprise house album?
"Honestly Nevermind was one of the biggest risk any superstar has ever taken"
There's been plenty of superstars that have taken risks
Drake just took 20 years to take a risk
That's why ur in shock
Listen to more music fam
Iâve listened three times:
What I wanted: I didnât really need much from this project. I didnât need concise ideas or some complex topic. All I really wanted was for him to bar out (Iâd missed it for a while) and for there to be cohesion in the sound, maybe through transitions or through common producers. I also wanted some new features!
What I expected: I expected for this album to be more R&B/dance focused with a bar-out here and there. I thought he would make a shorter album this time around too
What we got: This album is 90 minutes long and 23 tracks, spanning all kinds of genres that Drakes covered before. We have bangers across much of the beginning half, even dipping toes into the rage sound. The midsection of the album really slows down, with a few drumless R&B joints and downtempo bangers before picking back up with some dance tracks and faster joints featuring SZA, Bad Bunny, Sexyy Red, and Yachty. The album closes out with two pretty slow tracks as well. Thereâs samples, sound bites, transitions, cameos, and beat switches everywhere
What I Liked: I loved the diversity here. Drake spent a lot of this album trying styles I hadnât heard him on before, especially on Rich Baby Daddy, Gently, IDGAF, and Calling for You. Some of the singing tracks, like BBL Interlude and Members Only, were great. Daylightâs Adonis feature actually hard. Basically all the features showed out and did their things. The production was pretty interesting, but Iâll have my criticisms.
Drake also had some good writing on parts here. The tongue in Cheek lines, his references to Rihanna and Universal, nods towards other beef, the absolute masterpiece of 8am in Charlotte, very nice very nice. The bounce on songs like Another Late Night, What Would Pluto Do, 7969, Away From Home and Rich Baby Daddy immediately put them in my downloads. Some of the narratives in this tracks remain entertaining and engaging.
What I Donât Like: This album lacks exactly what gave HNVM and Her Loss their charm, which was a sense of identity. Even if the sound wasnât uniform, attitudes and sequencing gave the albums a sense of direction that this album lacked to an extreme amount. Why was the Bad Bunny song here? Why did the album end on an R&B track that couldâve been in the midpoint? What exactly is the reason for a Yeat song being here? WHY IS BARK RADIO ON TWO SONGS FOR THIS AND NOWHERE ELSE? It all makes no sense, thereâs no narrative or idea that helps this project move forward. Drake said this was an old drake album, then a summer sounds album, then an r&b album, and yet itâs none of those things because it tries to be all of them. Itâs the same hole that CLB fell into
However, CLB was not nearly as cringe and as half-baked as some of the moments here. WHO is DJ POOPERSCOOPER and HOW did he get a minute on the song that had Chief Keef for 8 bars? WHY is there a DJ Screw song shoved in here, especially in the middle of the R&B segment? WHY is there a minute long interlude in the middle of Calling Your Name? WHY did they choose to use the word âgangyâ on Members Only, which sounds TERRIBLE when they sing it 16 times in a row? WHY was this Bad Bunny collab picked by anyone to be on ANY project? There is no reason any of these things couldnât have been eliminated or improved on to increase the project quality.
My criticisms of the production and performance by Drake continues. Calling Your Nameâs beat it terrible, Iâm tired of beat switches, especially when drake had the opportunity to go toe to toe with Cole on the same track . Iâm tired of Drake bringing bland and terrible Melodies for 15 minutes straight on tracks with little to no drums . Iâm tired of producers trying to sample flip like 40 and not coming near to flips like Virginia Beach.
Conclusion: Idk, I didnât want much. Drakeâs inflections and energy were getting more interesting even if his bars became a little less focused. 8am really excited me, and the features all did a great job. The production kinda fell flat for me and drake sounded so bored that even the good lines passed through me. Maybe Iâll come around
6/10 / C+
indeed.com
When weâre talking about an album like the Earl album and comparing it to this
I get that itâs a preference thing
But do yâall realize that making an album like this drake one is way more ambitious and difficult than making one like Earl and al? I say this respectfully but if you make music you know
how the f*** is this project ambitious lmao itâs literally Views/Scorpion/CLB 2.0
NWTS was an ambitious project, this is Drake over the same modern/trap production
You could literally put these songs on Scorpion or CLB and they wouldnât feel out of place
That doesnât mean itâs bad music, itâs solid like everything Drake does but he doesnât surprise us anymore
All the kanye stans alone in their house hating
All the drake fans out with a girl listening to the album play at the club
Easy to see who is winning
U fake ass nigga lmao
this album is crazy. canât wait to run it at the gym
ran it this morning for chest day
"Honestly Nevermind was one of the biggest risk any superstar has ever taken"
There's been plenty of superstars that have taken risks
Drake just took 20 years to take a risk
That's why ur in shock
Listen to more music fam
Honestly Nevermind was a risk in its own right but it was definitely not one of the biggest risks ever taken lmfao come on man
indeed.com
lol man actually gave valid opinions⌠this site is cooked
U fake ass nigga lmao
You not listening with a chick in your lambo and it shows
All the kanye stans alone in their house hating
All the drake fans out with a girl listening to the album play at the club
Easy to see who is winning
oh brother đđ