at the same time i kinda feel like itd kill a lot of drive in young people if they were more aware of all of their favorites working day jobs
that drive would die at some point anyhow but would be bad if itd happened too early
Yeah man all I'm saying is when I started getting into music they made it sound like you COULDN'T do it with a day job, and now at 29 I realize how many artists I listen to have one or have some other source of funding that keeps the dream alive
Yes. It makes me think of them even higher than one who doesnt. Thats craft, to me.
Creating at a high level straight off passion and love of the art WHILE having a full time job, that isnt something to scoff at.
Most dont have the energy after work.
Love your perspective
I agree with you
It doesn't even have to be negative—like finding out your favorite rapper is picking up shifts at Denny's, are you more likely to subscribe to their patreon?
just curious what the psychological effects are on music fandom, because from an artist's perspective, I know there are artists who get online and talk about their day jobs all the time, and then there are artists maybe in the more clouted up underground rap scene who would do anything to hide the fact they have a job because it would probably feel like an aura loss to their annoying fans
Hmm, honestly it depends on the kind of music they make
If they try too hard to be Tony Montana only to be working at McDonald's...which hey, that's actually how Tony got his start but yk what I'm trying to say
Yeah man all I'm saying is when I started getting into music they made it sound like you COULDN'T do it with a day job, and now at 29 I realize how many artists I listen to have one or have some other source of funding that keeps the dream alive
its different for me a lil because most people never bothered to know how musicians make their money, everyone looked at metallica and them assuming you can just tour forever and rake in millions from sales. the innocent times of thinking sales -> what an artist gets on their account each month
Hmm, honestly it depends on the kind of music they make
If they try too hard to be Tony Montana only to be working at McDonald's...which hey, that's actually how Tony got his start but yk what I'm trying to say
Yeah I think that's really interesting, the type of music really does color how the fans are going to see it
Kinda off topic kinda on topic but it's kinda crazy to see Chris Patrick where he is when this was my introduction to him

Kinda off topic kinda on topic but it's kinda crazy to see Chris Patrick where he is when this was my introduction to him
!https://youtu.be/yMUz9efa1yE?si=m9uW2tgdtjftoTi7He's been at this for so long super cool to see it paying off big now
I'm friends w / or know / know a bit about a lot of crazy talented artists and tbh it's more that I look at them a lil different when they don't have a day job lol. cause that usually just means they have rich parents and are privileged enough to not worry about money.. but some of the most amazing ppl and artists just happen to be privileged but are still extremely generous in using their privilege to support ppl around them and just generally are super legit about the art.
a good example of this is PC Music... I can tell u that many of the most notable ppl in or associated w that crowd are ppl that went to elite colleges in England etc lol and def come from money. I don't think AG Cook, SOPHIE, Arca ever had to worry about money. an exception afaik is Sega Bodega. but yh tbh we'd never have all this crazy sound design in our current pop landscape without the time/ freedom and access to all the best equipment and software...
actually in this case I think they all do have a capitalistic streak in them and do want to become famous and popular and make money, I also know of many examples where this isn't the case tho. and for me it doesn't detract from them being among the most important artists of our time, I do think it's something that should be taken into account tho.
I'm friends w / or know / know a bit about a lot of crazy talented artists and tbh it's more that I look at them a lil different when they don't have a day job lol. cause that usually just means they have rich parents and are privileged enough to not worry about money.. but some of the most amazing ppl and artists just happen to be privileged but are still extremely generous in using their privilege to support ppl around them and just generally are super legit about the art.
a good example of this is PC Music... I can tell u that many of the most notable ppl in or associated w that crowd are ppl that went to elite colleges in England etc lol and def come from money. I don't think AG Cook, SOPHIE, Arca ever had to worry about money. an exception afaik is Sega Bodega. but yh tbh we'd never have all this crazy sound design in our current pop landscape without the time/ freedom and access to all the best equipment and software...
actually in this case I think they all do have a capitalistic streak in them and do want to become famous and popular and make money, I also know of many examples where this isn't the case tho. and for me it doesn't detract from them being among the most important artists of our time, I do think it's something that should be taken into account tho.
Well said, as someone who is at work rn it definitely affects the way I see some artists, even though I also come from a pretty upper middle class background myself it's a night and day thing to be just chillin at home getting to focus on art all day vs having to try and do it after a long day of work
When I really learned how it was in the industry I think so highly of rappers who will have a regular job. Like Kid Cudi at the Bape store, Bryson Tiller at Target, that makes me like their music more
imo not for artists
record labels were rolling in it tho
Artists just weren’t as savvy as they are today. Jay, Master P, E-40, Too Short, etc made a lot of bread
Well said, as someone who is at work rn it definitely affects the way I see some artists, even though I also come from a pretty upper middle class background myself it's a night and day thing to be just chillin at home getting to focus on art all day vs having to try and do it after a long day of work
yh for me I'm also very privileged upper middle class but still need to pay my own bills and figure out how to get money while I try to do the journalism thing and it's already got me into pretty severe burnouts multiple times now...
it's hard af to stay afloat and still find the energy to be creative or contribute to an industry which ruthlessly exploits damn near all labour as volunteer work, it's especially bad when you're dedicated to underground/ experimental/ not-profit-oriented music
at the same time i kinda feel like itd kill a lot of drive in young people if they were more aware of all of their favorites working day jobs
that drive would die at some point anyhow but would be bad if itd happened too early
Good.
Weed em out fast.
Tired of these rappers lying.
idk why this is the case but my producer friends (with placements) don't have day jobs but my artist friends (even with bigger songs) have day jobs
@op
but generally yea i'll still listen. i respect the craft at the end of the day. a day job shouldn't take away from my enjoyment of that
Geo from Animal Collective said during COVID said how lucky they were for signing actually good contracts in the pre streaming era @survival_horror
https://last-donut-of-the-night.ghost.io/animal-collective-geologist-interview/
I’m pretty sure he’s a sports writer for the Baltimore sun rn, and I think deakin does contracting?
Artists who have day jobs or have worked careers offer a different perspective than those that don't. I want to hear songs from the artist who teachers part time too
the modern day howard hughes laughs at y'all for having day jobs 

Lids worker thread
Artists who have day jobs or have worked careers offer a different perspective than those that don't. I want to hear songs from the artist who teachers part time too
That's me, and one of my coworkers here at work is an underground rap legend so that tracks for sure
idk why this is the case but my producer friends (with placements) don't have day jobs but my artist friends (even with bigger songs) have day jobs
@op
lots of ways to make money as a producer—selling beats on the internet, ad revenue from beat pages on youtube, sync stuff is easier than from the artist side because a lot of brands only need instrumentals, producer fees on the placements themselves, backend money from publishing, selling sample packs, running sessions and charging artists, signing a pub deal to get an advance, etc etc etc
I don't wanna say it's "easier" than being an artist it's just different. artists can make money on the road much easier, for example. most producers besides the kenny beats / metro boomin types can't tour
but you gotta be a certain level of artist to be able to tour in the first place