He just passed the Russos for the 3rd spot. The Russos are definitely going to retake that spot soon, but super impressive regardless
He just passed the Russos for the 3rd spot. The Russos are definitely going to retake that spot soon, but super impressive regardless
https://twitter.com/culturecrave/status/2085095885344755745Russos holding that spot is some bullshit though, lol.
My ranking:
Tenet
Mid
Mid
Mid
Mid
Mid
Mid
Mid
Mid
Mid
Guys I have tickets for next week (in IMAX woooo!) but I can't stand gore and blood. Does this movie have lots of that?
Not really tbh. You should be fine
Nahh I saw this in IMAX GT laser and the audio was damn near ear piercing at certain moments.
Not sure if your theater had its audio turned down intentionally, but the audio was for sure shaking the entire theater in every scene
Oh so it wasn't just me who felt the music was too loud. I didn't even see it in IMAX and it was still painful. Was plugging my ears with my fingers frequently. I think buddy has hearing damage if he didnt think that s*** was loud.
looking for a show i believe season 3 just started its with 5 women as killers anyone know the name of the show i never watched it someone told me about it at work
Despite Kubrick being an influence, the guy is much closer to Mann, Scott, and Malick. Took everything that made those guys tick and got weird with it by incorporating recurring motifs of time that almost feel borrowed from Resnais and other European arthouse directors, while re contextualizing them into genre epics.
It only makes sense Nolan goes into horror after this. He’s already gone sci-fi epic, space epic, war epic, spy/espionage sci-fi epic, historic drama epic, fantasy epic. Can’t wait to see him pull off some Wailing tier f***ery
Despite Kubrick being an influence, the guy is much closer to Mann, Scott, and Malick. Took everything that made those guys tick and got weird with it by incorporating recurring motifs of time that almost feel borrowed from Resnais and other European arthouse directors, while re contextualizing them into genre epics.
It only makes sense Nolan goes into horror after this. He’s already gone sci-fi epic, space epic, war epic, spy/espionage sci-fi epic, historic drama epic, fantasy epic. Can’t wait to see him pull off some Wailing tier f***ery
Comparing Nolan to Malick
Comparing Nolan to Malick
I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from
I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from
The opening of Oppenheimer is the only time I've ever watched Nolan and thought of Malick.
Idk why people won't just say Ridley Scott
The opening of Oppenheimer is the only time I've ever watched Nolan and thought of Malick.
Idk why people won't just say Ridley Scott
Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind
Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind
As far as being an eclectic British director goes. Nolan will have to direct for another 25 years however.
3rd and final watch with my dad last night was somehow the best one, it's really just a masterpiece. still in total awe of this
3rd and final watch with my dad last night was somehow the best one, it's really just a masterpiece. still in total awe of this
Love seeing ktt do stuff with their folks
Ridley has really inconsistent directorial flourishes outside of frenetic/dark camerawork (mostly in his 21st century stuff), and understanding scale which I guess Nolan takes from. That first part feels reductive cause Nolan’s grading is only cause he’s red/green color blind
I did not know that Nolan was color blind
I guess I’d say only in a superficial sense. His rhythm of editing, and cutting feels very similar to Malick. Also some of his more floaty camera movement feels loaned from
I thought Malick tends to linger on some shots, not at PTA level though. Nolan is a bit more frenetic
Love seeing ktt do stuff with their folks
thanks
he loved it too, really a peak dad movie