article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
“Amaarae came in one time and she was a bit bewildered, like, ‘Y’all don’t get lit in here? Where the hoes at?’”
thanks for the link
article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
New avy alert
article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
Wait, the article is painting this as a cease to album and music releases rather than just the death of the Gambino name
article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
Appreciate the share brother
Rather than trying to reclaim the chart positions of “Redbone” and “This Is America,” Glover defined success for his new album in more personal terms.
“Success to me is, honestly, being able to put out a wide-scale album that I would listen to,” he said. “For this album, I really wanted to be able to play big rooms and have big, anthemic songs that fill those rooms, so that people feel a sense of togetherness.”
“Bando” plays like a curated archive of the Childish Gambino experience — stylistically promiscuous, aesthetically astute, lyrically provocative — with an added dose of grown-up equanimity. Its first single, “Lithonia,” channels Rivers Cuomo in the ’90s for a barroom singalong tuned for the end times; the opener “Hearts Are Meant to Fly” is an electro-punk battle cry pitched between Kanye West’s “Yeezus” and the Prodigy; and the shape-shifting soul/funk standout “No Excuse” skillfully marries Marvin Gaye and Fela Kuti.
Fam Udeorji, Glover’s longtime co-manager, said their ambition was to create a body of work that will live with fans for the long term, citing SZA’s “SOS” as an example. “If people listen to this album and it becomes a part of their identity, if they look back a year later and are reminded of how much they listened to it and what that felt like in the summer of ’24 — that kind of real estate is way more valuable to me” than chart metrics, he said.
Glover said that some who were around for the making of the album questioned its more tender or earnest moments. But he ultimately overruled them. At 40, there is no one left for him to be but himself.
Rather than trying to reclaim the chart positions of “Redbone” and “This Is America,” Glover defined success for his new album in more personal terms.
“Success to me is, honestly, being able to put out a wide-scale album that I would listen to,” he said. “For this album, I really wanted to be able to play big rooms and have big, anthemic songs that fill those rooms, so that people feel a sense of togetherness.”
“Bando” plays like a curated archive of the Childish Gambino experience — stylistically promiscuous, aesthetically astute, lyrically provocative — with an added dose of grown-up equanimity. Its first single, “Lithonia,” channels Rivers Cuomo in the ’90s for a barroom singalong tuned for the end times; the opener “Hearts Are Meant to Fly” is an electro-punk battle cry pitched between Kanye West’s “Yeezus” and the Prodigy; and the shape-shifting soul/funk standout “No Excuse” skillfully marries Marvin Gaye and Fela Kuti.
Fam Udeorji, Glover’s longtime co-manager, said their ambition was to create a body of work that will live with fans for the long term, citing SZA’s “SOS” as an example. “If people listen to this album and it becomes a part of their identity, if they look back a year later and are reminded of how much they listened to it and what that felt like in the summer of ’24 — that kind of real estate is way more valuable to me” than chart metrics, he said.
Glover said that some who were around for the making of the album questioned its more tender or earnest moments. But he ultimately overruled them. At 40, there is no one left for him to be but himself.
Damn this just made me even more excited .. that last part
“I think grace is undervalued in the world,” he said. “When I put my son on my shoulders, I feel deep joy. That’s real. No one on their deathbed is going to look back and say, ‘Thank God I avoided being cringe.’”
“I think grace is undervalued in the world,” he said. “When I put my son on my shoulders, I feel deep joy. That’s real. No one on their deathbed is going to look back and say, ‘Thank God I avoided being cringe.’”
Dam.
How do you know if your theatre is / isn’t showing it?
I'm just going off the AMC app
You don’t. Bro doesn’t know what he’s talking about
My bad that I didn't know there was no theaters with showtime yet idk how much up on something I can be besides to check my theater app
Also I never said I knew what I was talking about
I said "my theater not showing it" as in my theaters app isn't showing it
Also I never said I knew what I was talking about
I said "my theater not showing it" as in my theaters app isn't showing it
NAH LEAVE
article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
My bad that I didn't know there was no theaters with showtime yet idk how much up on something I can be besides to check my theater app
That’s like saying they aren’t showing the new Joker movie at your theater since showtimes aren’t out lol. Tickets haven’t been announced at all so they won’t be available anywhere
tracklist out and y’all don’t care? lmao
Just dropped officially but we had it last night
Wait, the article is painting this as a cease to album and music releases rather than just the death of the Gambino name
why do you believe him when he says this is the end? he’s been saying that since 2017
article without the paywall https://www.nytimes.com/2024/07/17/arts/music/donald-glover-childish-gambino-bando-stone.html?unlocked_article_code=1.700.amLw.LnbSB6NvrmeT
“Nobody gives a f***”
“I think grace is undervalued in the world,” he said. “When I put my son on my shoulders, I feel deep joy. That’s real. No one on their deathbed is going to look back and say, ‘Thank God I avoided being cringe.’”
There may be a point somewhere here but I fail to see how his son and some regular dad s*** relates to the point
makes it seem fake deep