why are the bonus tracks so f***en good

personally I just care about music from artists I love

so for me a rollout should just be them getting their music out to as many people as possible. This album has definitely been better at doing that than her other albums. Wish Charli or How I'm Feeling Now or Pop 2 could have got this type of attention

the only thing that really surprises me is that Yuck wasn't a single. that sounds like the most commercial song on here but maybe my ears are off. Songs like Good Ones are obviously commercial but sound dated to me

yeah Selfish Girl is attempting the same genre as Beg For You and doing it better lol

I feel like Every Rule, Yuck, New Shapes, Twice and Crash are the only songs that sound good enough to be on her best albums

Even New Shapes has dodgy bits like the whole annoying 'what you want' part

I get that but I just mean in getting the music out to new people. this album has been pushed way more than Charli from what I can tell. Even though Charli had songs like Gone which are 10x better than anything on this

in

Im sorry but crash is my favorite charli. She just keeps getting better with time. Lighting got a nigga feeling good

used to know me is sooo good

Ngl I miss True Romance Charli sometimes

lightning so good

nah people been f***in with yuck but that's the only one i'm not vibin to. feels lifeless to me

album fire though. probably my fav front to back

I guess it doesn't feel like an obvious Charli song but I think it does that vibe really well.

I'm surprised it wasn't a single tbh

The song that feels really lifeless to me is Good Ones. Sounds like they're reheating something that would have been pitched to Rihanna 10 years ago

Love to see Party4U on the setlist Feel like some of that album gets slept on, some of her best songwriting imo

Also I Love It is one of her most iconic songs. Surprised she never plays it. She's the feature but it sounds like her and she wrote it. It's basically the biggest Charli song

this album grew on me so hard. even the singles. she sollld that s*** at the LA show

this, new Lean, new Drain got meee

Deluxe tracks crazy

we need the Constant Repeat MV ma'am

You could have had a bad girl by your side

You could have had a bad girl

Could have had a bad girl

If you wanted

whole album still on repeat for me

Every so often, a crack would appear. In long, quickly-deleted Instagram captions it became clear: Charli wanted to cement her status not as a pop artist, but a pop star. She was frustrated that her music and profile wasn’t reaching mainstream, icon status. Was she not a pop star because she wasn’t interested in playing the game? Or was the world not ready for her vision of pop? Now, a few weeks after the release of Crash, it feels like the world has caught up with her vision. ​“I don’t want to say Atlantic Records is eating out of the palm of my hand, because I’m not Ed Sheeran,” she says, laughing, ​“but we’re in a really good place.” “What’s really interesting about music culture right now is that the underground scene and the commercial music scene are interlinked more than ever before,” she says. ​“I’m not saying there is no underground culture – that obviously is not the case – but I feel like the two are working together in such a unanimous way that it feels like there isn’t anything drastically kind of extreme that’s musically happening without it already being referenced in mainstream culture.”

theface.com/music/charli-xcx-crash-tour-interview-review-los-angeles