@hadjigaviota since u have a decent following can u contact them and ask for a quote
tryna see somethin
There’s the Brooklyn scene, the “Brooklyn scene”, and then the bands that know the guys who own Babys All Right & Night Club 101. Sometimes the third group gets Thielbucks 🤑
linkedin.com/in/adam-tarsia-360b1a241
the founder is from new york, u cant make this s*** up
Generated 1B+ impressions across campaigns for clients such as Ed Sheeran, Miley Cyrus, sombr, Benson Boone, Jonas Brothers, Alex Warren, Mk.gee, KATSEYE, Laufey, Bon Iver, Djo, d4vd, Kali Uchis, Jessie Murph, Dijon, Cameron Winter, Geese, & others. Management roster includes Clara Smallman & rosevile sucks.
co founder also new york 
linkedin.com/in/timothy-weber-640ba41b9
Oh wow
I fw that bedroque song
They got me ..
4:00
INTERVIEWER: [discussing old strategies] Back in the day it used to be top-down for marketing. So, it's like hiring your biggest creators you can find, paying them and having them use their song in a video. Now, what you guys are describing, practically speaking, is you run – or have a network of – a bunch of different accounts that are meme accounts, or sports clips, or truck videos, or whatever these types of accounts are. And then you can plug the song into those, so it creates more of a groundswell effect rather than coming from the top-down. Is that correct?
SPELMAN: That’s correct.
4:00
INTERVIEWER: [discussing old strategies] Back in the day it used to be top-down for marketing. So, it's like hiring your biggest creators you can find, paying them and having them use their song in a video. Now, what you guys are describing, practically speaking, is you run – or have a network of – a bunch of different accounts that are meme accounts, or sports clips, or truck videos, or whatever these types of accounts are. And then you can plug the song into those, so it creates more of a groundswell effect rather than coming from the top-down. Is that correct?
SPELMAN: That’s correct.
ktt we gotta start out own digital marketing agency, they droppin methods for free
They work with aespa lmao is that why they keep getting pictured with those strange underground characters?
https://www.pinterest.com/04x4fd43ulitukigqn7rz4yibcm7dm/

@op
the underground is manufactured
https://www.pinterest.com/04x4fd43ulitukigqn7rz4yibcm7dm/

@op
expect them to nuke their pinterest lmfao theyre clearly browsing this thread
Can’t even trust the new band “ear”
https://www.instagram.com/reel/DWmc1mhDEpy/?igsh=dXA1aGxkNHFxcm9h
Even tho I fw their music.
tbf they signed to surf gang
5:20
SPELMAN: On TikTok it's really easy to get views. You just post trending audios. Like, TikTok weights that really heavily in the algorithm. But artists can't do that because they want to promote their own music. And so, a big part of what we are doing is posting enough volume across enough accounts with enough impressions to try to simulate the idea that the song is trending, or moving, or whatever you want to call it. And then, as that happens, the artist's posts start doing better and all these kind of things, because, you know, if you were building a new account, which we do many times a day, you would never post non-trending audios. It's worst practices. But artists have to. And so, we view our job as kind of pushing against that and helping them.
INTERVIEWER: Interesting. Wait, so like how do you run all of these accounts? Do you just have a bunch of cell phones somewhere or…?
COREN: Yeah, pretty much. We have a large network of both employees, and contractors, and people in our network, and yeah – a lot of phones.
SPELMAN: We have a rapid Verizon at this point. We are like a VIP customer of them, and our office is overrun with iPhones. Our partner Adam [Tarsia?] has this theory about which iPhone is best. It gets deep very fast, yeah.
the underground is manufactured

https://www.pinterest.com/04x4fd43ulitukigqn7rz4yibcm7dm/

@op
omg is that that tommy fleece guy
that makes a lot of f***ing sense too lol
omg is that that tommy fleece guy
that makes a lot of f***ing sense too lol
bruh i saw tommy fleece open for mgna crrrta in chicago a few months ago. i was like who tf is this guy
fakemink and dijon too... honestly i assume this is happening to any somewhat popular artist on any label, this is just the game now
im not surprised that this type of marketing exists but i am surprised that some of the artists in OP and on their site are using this marketing
like yea the music is good but you're telling me that people have finally caught on to jane remover because of bots?
5:20
SPELMAN: On TikTok it's really easy to get views. You just post trending audios. Like, TikTok weights that really heavily in the algorithm. But artists can't do that because they want to promote their own music. And so, a big part of what we are doing is posting enough volume across enough accounts with enough impressions to try to simulate the idea that the song is trending, or moving, or whatever you want to call it. And then, as that happens, the artist's posts start doing better and all these kind of things, because, you know, if you were building a new account, which we do many times a day, you would never post non-trending audios. It's worst practices. But artists have to. And so, we view our job as kind of pushing against that and helping them.
INTERVIEWER: Interesting. Wait, so like how do you run all of these accounts? Do you just have a bunch of cell phones somewhere or…?
COREN: Yeah, pretty much. We have a large network of both employees, and contractors, and people in our network, and yeah – a lot of phones.
SPELMAN: We have a rapid Verizon at this point. We are like a VIP customer of them, and our office is overrun with iPhones. Our partner Adam [Tarsia?] has this theory about which iPhone is best. It gets deep very fast, yeah.
them at their desks