Heard it for the billionth time today and it still roused my spirit
definitely top tier folk song of the year
Gonna do a deep dive of this year when that channel I like covers it next Friday. I’ll let you know what gems I find.
Gonna do a deep dive of this year when that channel I like covers it next Friday. I’ll let you know what gems I find.
check out some of the gems i found
put in 3 months of work
anything you dont recognize near the top of my list
check out some of the gems i found
put in 3 months of work
anything you dont recognize near the top of my list
Will do
Will do
The best songs I discovered for this year;
Dave Berry - Don't Give Me No Lip
Ben E King - River Of Tears
Wilson Pickett - For Better Or Worse
Bo Diddley - Keep Your Big Mouth Shut
Ricky Nelson - From A Distance
Dave Berry - Crying Game
The Animals and Shangri-Las rookies of the year
Brian Wilson and Lennon the mvp's
Dave Davies the riff-monster of the year and Clapton was doing some ridiculously potent stuff with the Yardbirds but id have to give Townshend guitarist of the year
nobody stepping to his slashing free-jazz solos and pulverizing rhythm work
Sam Cook clearly gets vocal oty but its another year of Roy Orbison pretty much rivalling the best soul singers out there
Spector gets producer of the year again of course but "Shadow" Morton hot on his heels with the Shangri-Las epics
by far the best year popular music had up to that point
@rvi thoughts?
its (roughly) in order right?
@rvi thoughts?
its looking solid, although the top 3 im not as big on as you are. a lot of songs on there i like but wouldnt put on a "best of year" level but i think thats because you like 1964 a bit more than me in general
The Animals and Shangri-Las rookies of the year
Brian Wilson and Lennon the mvp's
Dave Davies the riff-monster of the year and Clapton was doing some ridiculously potent stuff with the Yardbirds but id have to give Townshend guitarist of the year
nobody stepping to his slashing free-jazz solos and pulverizing rhythm work
Sam Cook clearly gets vocal oty but its another year of Roy Orbison pretty much rivalling the best soul singers out there
Spector gets producer of the year again of course but "Shadow" Morton hot on his heels with the Shangri-Las epics
by far the best year popular music had up to that point
need your version of this
@rvi
need your version of this
for 65? or 64 cuz i see you got both Cooke and Who there
@rvi
need your version of this
kinks not your rookies?
yeah album isnt that great but for the 2 classic singles alone
kinks rookies
wilson MVP because of the heights, but beatles very close all things considered (def. better albums)
sam cooke best vocalist i guess
eric dolphy best jazzman from my limited knowledge
i dont know enough producers to really say but its gotta be spector i guess
Buck Owens for country
for 65:
Be my Husband - Nina Simone

Sinnerman - Nina Simone

Like a Rolling Stone - Bob Dylan

desolation row - bob dylan

kinks not your rookies?
yeah album isnt that great but for the 2 classic singles alone
kinks rookies
wilson MVP because of the heights, but beatles very close all things considered (def. better albums)
sam cooke best vocalist i guess
eric dolphy best jazzman from my limited knowledge
i dont know enough producers to really say but its gotta be spector i guess
Buck Owens for country
Idk as much as I love the Kinks I gotta admit the Animals were the ones that showed what the future of rock and roll was really gonna be like
Rising Sun sounds like it's from 66 or even later
Idk as much as I love the Kinks I gotta admit the Animals were the ones that showed what the future of rock and roll was really gonna be like
Rising Sun sounds like it's from 66 or even later
no way imo
given the importance of de riff in rock history and You Really Got Me's role in developing that its the other way around for me
House of the Rising Sun sounds like '64 to me
and surely that big rhythm & blues aspect was the opposite of where the future of rock was headed. the mood of it maybe i can see
organ solo vs guitar solo too
no way imo
given the importance of de riff in rock history and You Really Got Me's role in developing that its the other way around for me
House of the Rising Sun sounds like '64 to me
and surely that big rhythm & blues aspect was the opposite of where the future of rock was headed. the mood of it maybe i can see
organ solo vs guitar solo too
I feel like the riff is great but alot more basic than the daring structure and length the Animals attempted and reached #1 with
no chorus, super dark subject matter from the depths of the folk cannon, no bullshit lovey lyrics, Burdon with a vocal that would flatten any other Brit, ridiculously powerful production that would basically set the tone for every "epic" rock tune from then on.... Feel like it preceded not just Dylan's rock stuff and The Doors but also Nick Cave and alot of post punk in its mounting drama. Ray was just writing chunes for the street urchins which is great but he didn't find the magic sound I'm obsessed with till Well Respected Man next year.
I feel like the riff is great but alot more basic than the daring structure and length the Animals attempted and reached #1 with
no chorus, super dark subject matter from the depths of the folk cannon, no bullshit lovey lyrics, Burdon with a vocal that would flatten any other Brit, ridiculously powerful production that would basically set the tone for every "epic" rock tune from then on.... Feel like it preceded not just Dylan's rock stuff and The Doors but also Nick Cave and alot of post punk in its mounting drama. Ray was just writing chunes for the street urchins which is great but he didn't find the magic sound I'm obsessed with till Well Respected Man next year.
yeah i can see the drama aspect for sure (not with Dylan though tbh). but that basicness and "chunes for street urchins" was definitely rock af. the mounting drama and type of vocal strength is a smaller subset of artists where the basic riff was a staple of like everything. from the most poppy rock to the most esoteric post punk to hard rock/metal
maybe id feel differently if i held it in as high esteem as you, to me it's just a great song and not an all timer
climax(s) dont hit me nearly as hard as they do to you
yeah Ray definitely didn't find the magic sound yet but they still somehow struck gold and its probably my #2 kinks song anyway. despite all the sophistication he(+they) would achieve later
yeah Ray definitely didn't find the magic sound yet but they still somehow struck gold and its probably my #2 kinks song anyway. despite all the sophistication he(+they) would achieve later
it's probably not in my top 50
yeah i can see the drama aspect for sure (not with Dylan though tbh). but that basicness and "chunes for street urchins" was definitely rock af. the mounting drama and type of vocal strength is a smaller subset of artists where the basic riff was a staple of like everything. from the most poppy rock to the most esoteric post punk to hard rock/metal
maybe id feel differently if i held it in as high esteem as you, to me it's just a great song and not an all timer
climax(s) dont hit me nearly as hard as they do to you
Ballad Of A Thin Man wasn't dramatic?
it's probably not in my top 50
