Aruji

12mo

okay

Lane's album is much better. Really liking it so far

Elric

12mo

Roll On Babe

Aruji

12mo

And The Poacher and Bye and Bye

Elric

12mo

listen to much Small Faces? he was definitely the magic behind most of their music and Rods too

Aruji

12mo

no. I had a buddy in uni who was so persistent on making me listen to them that I abstained from listening to them at all. Might give them a chance now since it has been years. I only know a handful of their songs

Elric

12mo

couple of my favourite songs ever;

can make you a playlist if you have Spotify

Aruji

12mo

that would be great

Elric

12mo

https://open.spotify.com/playlist/73gEAY9yHNTUb9TfxsheWo?si=f78c0d635b7c4085

highest praise for the short kings from Keef;

Aruji

12mo

Thank you a lot

Oh you also included solo works

Elric

12mo

https://open.spotify.com/playlist/73gEAY9yHNTUb9TfxsheWo?si=f78c0d635b7c4085

highest praise for the short kings from Keef;

Elric

12mo

https://open.spotify.com/playlist/73gEAY9yHNTUb9TfxsheWo?si=f78c0d635b7c4085

highest praise for the short kings from Keef;

Fella

12mo

I never fully connected with The Small Faces outside of a handful of songs, but I might give some of these another shot. I don’t really “get” Ogdens Nut Gone Flake outside of Lazy Sunday. From what I heard from the self titled, I like that significantly more.

Elric

12mo

yeah ONGF is a bit of a mess. even I have to skip Lazy Sunday sometimes lol. edited out that horrid cockney narrator or whatever decades ago. they had a much stronger year in '67.

Elric

12mo

couple of my favourite songs ever;

can make you a playlist if you have Spotify

Fella

12mo

I listened to a good amount of it. I’m really liking the Ronnie Lane solo stuff. It’s like his songwriting was too contained before. The title track is incredible.

Fella

12mo

Those are two of my favs from them too.

Elric

12mo

mastapieces

Fella

12mo

You ever listen to that Aphrodite’s Child “prog” record from 71? I don’t remember seeing anyone post anything from it when we covered that year. Outside of a handful of tracks, I found it incredibly tedious. They made gorgeous baroque/psych music in the late 60’s and had one of the best male vocalists of their era, then they moved onto that. It’s interesting for sure, but there’s way better prog and experimental music. They barely utilize their lead’s talent. It just devolves into tedious tangents and minute long sketches.

Babylon and The Four Horsemen are pretty great and I might have posted them if I had heard them back when we did that year, but those are the only 2 tracks that actually take advantage of their vocalist. The one track that’s basically a woman o*****ing for 5 minutes is the only weird detour that’s worth anything. Aegian Sea has an apocalyptic atmosphere and the closing track is sweet for what it is. The rest is a damn slog. Maybe I’m becoming an impatient simpleton the older I get.

@RVI

Fella

12mo

You ever listen to that Aphrodite’s Child “prog” record from 71? I don’t remember seeing anyone post anything from it when we covered that year. Outside of a handful of tracks, I found it incredibly tedious. They made gorgeous baroque/psych music in the late 60’s and had one of the best male vocalists of their era, then they moved onto that. It’s interesting for sure, but there’s way better prog and experimental music. They barely utilize their lead’s talent. It just devolves into tedious tangents and minute long sketches.

Babylon and The Four Horsemen are pretty great and I might have posted them if I had heard them back when we did that year, but those are the only 2 tracks that actually take advantage of their vocalist. The one track that’s basically a woman o*****ing for 5 minutes is the only weird detour that’s worth anything. Aegian Sea has an apocalyptic atmosphere and the closing track is sweet for what it is. The rest is a damn slog. Maybe I’m becoming an impatient simpleton the older I get.

@RVI

Fella

12mo

Speaking of Aphrodite’s Child. I’m just now realizing this Ennio Morricone composed ballad I’ve always loved from 74 or 75 (can’t get a clear answer), was from their vocalist.

Elric

12mo

Holy acid flashback sounds like some 1966

@RVI @Fella

Fella

12mo

You ever listen to that Aphrodite’s Child “prog” record from 71? I don’t remember seeing anyone post anything from it when we covered that year. Outside of a handful of tracks, I found it incredibly tedious. They made gorgeous baroque/psych music in the late 60’s and had one of the best male vocalists of their era, then they moved onto that. It’s interesting for sure, but there’s way better prog and experimental music. They barely utilize their lead’s talent. It just devolves into tedious tangents and minute long sketches.

Babylon and The Four Horsemen are pretty great and I might have posted them if I had heard them back when we did that year, but those are the only 2 tracks that actually take advantage of their vocalist. The one track that’s basically a woman o*****ing for 5 minutes is the only weird detour that’s worth anything. Aegian Sea has an apocalyptic atmosphere and the closing track is sweet for what it is. The rest is a damn slog. Maybe I’m becoming an impatient simpleton the older I get.

@RVI

rvi

12mo

Erkin koray is fire

Rt me @xxxkiraxxx