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  • Essentially I’m saying that the south made hip hop look easy to do. I don’t think what these artists are doing are easy but it SEEMS more easy which gets wayyy more people to think they can rap and that’s why we get cluttered with so much wipe my ass quality. I think more people are inclined to try to rap after hearing what Future does than what Nas does. BOTH are very difficult to do but I think people believe what future does is easier

  • What future is doing is easier but he’s also just too damn cool pause

    He toes the line of lazy and effortless like no other

  • Tuneout 🎨
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    making something look easy, is the ultimate testament to mastering a difficult skill

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    Tuneout

    making something look easy, is the ultimate testament to mastering a difficult skill

    If I was a nigga that wanted to make it in rap I’d rather have his career than Nas’ ngl

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    reminds me of 50 reacting to hearing himself with autotune on Can’t Believe It

    listen to 3:13 “this s*** make anybody sound good”

  • cryforhell

    If I was a nigga that wanted to make it in rap I’d rather have his career than Nas’ ngl

    id take either pretty comfortably

  • Everyone should listen to illmatic today

  • It's less to do with regional stuff and more that niggas HAD TO have skill to get on back in the day. The beats in Nas heyday were made from sample chops from other songs. Technology has evolved.

    Nowadays production does most of the work. I would never listen to 21 savage ever if it wasn't for the cool s*** going on in the background. Hell I dont even listen to him now.

  • Thinly veiled Carti hate thread

  • sabic sabion sab
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    reminds me of 50 reacting to hearing himself with autotune on Can’t Believe It

    listen to 3:13 “this s*** make anybody sound good”

    !https://www.youtube.com/watch?v=SbYH07rEVqE

    Never heard this s*** 😂😂

  • I’m just joking

  • sabic sabion sab

    reminds me of 50 reacting to hearing himself with autotune on Can’t Believe It

    listen to 3:13 “this s*** make anybody sound good”

    !https://www.youtube.com/watch?v=SbYH07rEVqE

    50 melodic voice isn’t that bad either on some hooks he got

  • Yeah pretty much

  • Wasn't Gucci influenced by Jeru the Damaja? I feel like that encouraged him to have some flair in his bars

  • I feel like I already know the points you gon say but I'ma watch before I respond cause overall I agree with that sentiment but I think it's easy to just say "south bad" lol.

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    Smacked Voodoo

    Yeah pretty much

    where was yall niggas at in the 2000s tho?

    what was the mecca of hip hop doing to combat the "evil bad dumb south" tho?

    don't tell me one man from Queens divided the entire region that much

  • insertcoolnamehere

    where was yall niggas at in the 2000s tho?

    what was the mecca of hip hop doing to combat the "evil bad dumb south" tho?

    don't tell me one man from Queens divided the entire region that much

    Cool bruh.

    This doesn't change anything OP said.

  • Weird ass nigga man lmao

  • even wen u Hatin onna south its from a "our greats were so good u other niggas thought u cud too and now erybody sound bad" framework Lol

    gotta Love it

    iirc u expressed that sentiment before in the podcast ep w fd

    from golden era ny pretentiously icing out every other hub to chicago's drill tho, feel like u cud make the case everyone whos taken the seat at the table has made a 'very negative impact'

    very clickbaitable title innit

  • Booty ass ATL raps Post-Young Jeezy and TI/gucci

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    The South from Lil Jon/Dem Franchize Boyz to Future absolutely

    Lmao “Pimp Trick Gangsta Clique” - Outkast in the late 90’s

    lmao at niggas doing autotune swallowing up Cole BoB KRIT efforts in the opposite direction (pause)

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    raps2

    The South from Lil Jon/Dem Franchize Boyz to Future absolutely

    Lmao “Pimp Trick Gangsta Clique” - Outkast in the late 90’s

    lmao at niggas doing autotune swallowing up Cole BoB KRIT efforts in the opposite direction (pause)

    In a recent interview, Andre 3000 discussed his abandoned parody project with Cee-Lo and Sleepy Brown. "Back then all the hood record labels were called stuff like Slap a B---h Records or Big D--k Records, so we made up the group name Pimp Trick Gangsta Clique. Me, Sleepy Brown and Cee-Lo were going to form an actual band called Pimp Trick Gangsta Clique. We recorded some stuff but never released anything under that name. It was really just a funny thing we made up for an album you'd buy at the record store.'"

  • that's like the 5th time I done asked a ny nigga where was yall at during the 2000s and 5 times they refuse to answer

    But back to @op vehemently disagree on the jazz thing. It actually is a big thing happening about that but on the other side of the spectrum.

    You have a lot of young folks (mostly cacs) that get into jazz that legit only do it to just show off their chops and nothing else (e.g. domi and jd beck, jacob collier, etc). It's damn near an epidemic where you'll see someone going viral on instagram just for playing some fast licks on a drum or a sax or some keys and it's..cool but there's no actually feeling behind it just a bunch of technique.

    Folks transcribing them first 30 seconds of Love Supreme Acknowledgement solo but can't replicate the feeling that Coltrane had because they didn't live it

    Think the issue with both jazz and hip hop as you put it, is that the internet has made it so that EVERYONE can see how the magic works. Hence why people think what the futures are doing is easy. Is that the south's fault or is that the fault of the eventual commodification of art?

    Cause hell you did have people that thought they could imitate Biggie too lol